Peggy Levison Nolan, REAL PICTURES: Tales of a Badass Grandma
Photographer: Peggy Levison Nolan, born Albany, NY currently resides in Hollywood, Florida
Publisher: Daylight Books, Durham, North Carolina, c. 2018
Essays by Abner Nolan, Suzanne Opton, Bonnie Clearwater
Hardcover, Clothbound, 130 pages, 85 color photographs, 10 x8 inches, printed by Artron, China
Notes: Having recently attended a panel discussion on the topic of Photo-books, this reviewer was reminded of the value of having access to a photographer’s work within reach, available to visit and revisit whenever the mood occurs. To hold a book in one’s hands, to turn the pages at the pace of our own choosing, to enjoy the tactile experience of a real object, perhaps in the comfort of a favorite chair, or as a way to nourish the creative spirits while living through challenging times…all these pleasures come together in REAL PICTURES the new photo-book by Peggy Levison Nolan.
The full title of this collection of personal imagery is REAL PICTURES: Tales of a Badass Grandma; however the subject of Nolan’s 85 color photographs seems more intimate and gentle than the name suggests. Nolan may in fact be a Badass Grandma, but she is also a keen observer of light, color, joy, and quiet moments. By focusing her lens in the direction of her grandchildren and their parents, Nolan goes beyond the mode of typical family snapshots. REAL PICTURES is an Ode to life’s simple gifts in the fine art tradition of William Eggelston, Robert Frank, and Harry Callahan.
Rarely does the cover of a book warrant as much touch: this hardbound book is covered in a muted orange material reminiscent of sun faded upholstery, immediately evoking feelings of being in someone’s living room. Perhaps Nolan’s, perhaps your own. The first 3 images directly address perception of focus, shadow and reflection as seen through windows, gradually drawing us in to the homes of her adult children while signaling these images have an emotional point of view.
Its hard not to feel Nolan’s love of her subjects, and in turn theirs through willingness to be photographed in toy strewn houses, rumpled bed sheets, sleepy morning kitchens. Infants cry, kids make messes, family members embrace.
Nearly every image is infused with appreciation for color found in natural light, be it the simple blue line of a plastic shower curtain or the tiny pink foot of a napping child. The de-saturated tones of a nursing mother and child are echoed in the wide-angle view of two generations standing at the edge of a shore. Babies are born, stray hairs are left on the side of the bathroom sink; in Nolan’s work we understand why all of this is beautiful.
Though Nan Goldin’s color work is sited as having influenced Nolan to move beyond her initial use of Black and White, REAL PICTURES is less confrontational, and other than a shadow on the wall and a final image of feet in need of a pedicure, Nolan does not visually represent herself. Rather her work feels more in line with the early work of another female photographer Sally Mann, who also turned her lens in the direction of family; both women photographing those she knows best and loves most. In an era saturated with celebrity worship and instagram selfies, Nolan’s work is refreshingly sincere, selling nothing, offering us the richness of deeply invested relationships and the spaces in which they grow..
Upon learning that Nolan’s own mother died tragically when she was a girl and her father burned all the family photos in an attempt to spare further pain, the choice to become not only a mother and grandmother but a photographer herself, adds poignancy to revisiting Peggy Nolan’s beautiful work. Born of a self-made tradition giving her offspring handmade books documenting their own journeys into the wonders of parenthood, to now share these celebratory images with the rest of us, does indeed confirm that Peggy Nolan is in the best sense of the word, Badass.
Put on the kettle, turn off your media, curl up on a comfy couch and allow REAL PICTURES to soothe your eyes and your mind.
Enjoy! – Melanie Chapman