The Contemporary Photobook Magazine
Review by Gerhard Clausing • In Greek mythology, the Minotaur was a human-like creature with the head and tail of a bull, and his favorite meals consisted of sacrificial Athenian youths. His home was said to be an elaborate labyrinth on the island of Crete. Naturally as well as unnaturally, there was more to that... Continue Reading →
Review by Gerhard Clausing • Where and what is home? And when you go back, how does the changed reality compare to your childhood memories and yearning? Arcadia is a concept that represents mythical and dreamy fiction, a land of freedom and plenty, a kind of paradise that exists in only the finest moments of... Continue Reading →
Review by Gerhard Clausing • Charles Fréger’s latest photobook presents an intriguing photographic and ethnographic study of “the masks, costumes, and characters created by the descendants of Africans and indigenous peoples in the Americas to honor their ancestors, commemorate their history and celebrate their heritage.” (Back cover) Our history certainly follows us around, and old... Continue Reading →
Review by Gerhard Clausing • How to portray a city through its residents? The city of Berlin is certainly one of the most diverse places in the world. Combining the former West and East sections, it is now an even more expanded center of culture and cultures. The citizens’ well-known directness and swagger, sometimes referred... Continue Reading →
Review by Douglas Stockdale • What initially struck me in reading Kevin Bubriski’s latest photobook, Mustang in Black and White, was the pictorial framing and sequential interweaving of the landscape and portraits photographs of Nepal. In a turn-about, this colorful region is illustrated using higher contrast black and white photographs that border on abstraction. As... Continue Reading →
Review by Wayne Swanson • “Were it not for.” What a perfect phrase for our Trumpian times. With these four words you can claim responsibility and assess blame. Deflect accountability, cast aspersions, or simply cover your ass. To “control the narrative” is the goal. In Michael Ashkin’s hands, the four words turn deadpan images into ominous... Continue Reading →
Review by Gerhard Clausing • How do you effectively illustrate the follies of WAR? No matter how many times some of us advocate brain over brawn, war seems to be an ever-present specter, and this past week was certainly a glaring example. Perhaps such aggressive behavior is a remnant of the ancient male warrior who... Continue Reading →
Review by Gerhard Clausing • When I look at this photobook, the old Phil Ochs song as rendered by Joan Baez goes through my head: “There but for fortune go you or I …” (check it out on YouTube). At the end of another fairly difficult year, looking at one’s reflection, at what might have... Continue Reading →
Review by Melanie Chapman • “Say It Loud, I’m Bronx, I’m Proud!” Recently, I was in touch with a college friend who grew up in the Bronx in the 1970s and asked him for five words to describe the place. He chose “Dark, rotten, cheated, drugged out, death.” This is not, however, the Bronx that... Continue Reading →
