The Contemporary Photobook Magazine
Review by Gerhard Clausing • This fascinating photobook combines images of two seemingly unrelated subjects, old cars and cattle. In recent travels across the United States, Ute Behrend was struck by the ubiquitous presence of these two elements throughout the landscape. As we involve ourselves in the contents and juxtapositions found in this project, we... Continue Reading →
Review by Douglas Stockdale • Katherine Longly and Cécile Hupin have created a conceptual photojournalistic project; a series of interviews, quotes, screen grabs and reuse of photographs, repurposed to create a narrative that asks the question: If money cannot buy happiness, what drives people to participate in a lottery? The book is design and sequenced in... Continue Reading →
Review by Gerhard Clausing • The photographic work of Arthur Tress is highly regarded, even treasured, for a number of reasons. He combines several genres in a unique and personal manner: street photography, portraiture/the depiction of relationships, and environmental observations. With a very special mysterious way of integrating moments, his images often border on or... Continue Reading →
Review by Lee Halvorsen • Before starting a photo book, I usually flip quickly through the pages from back to front to give me a feel for the book. I started to do the same with this small book but surprisingly found myself often pausing to absorb the abstract images more purposefully. The book is an... Continue Reading →
Review by Douglas Stockdale • Whose land is it? This is probably the underlying question for Lana Z Caplan’s photodocumentary project of an expansive region of coastal California, which also represents a broader question for all of North America and the world beyond. Her specific subject is an area generally identified as Oceano, located on the... Continue Reading →
Review by Gerhard Clausing • Saul Leiter was an extraordinary individual who seems to be receiving more attention now than he did during his lifetime; he was averse to publicity and his style was ahead of his time. 2023 marked the 100th anniversary of his birth, and this substantial photobook, edited by Erb and Parillo, principals... Continue Reading →
Yet another year has gone by, and while the world peace we were hoping for is still further away than it was a year ago, it is nevertheless time for us to present you with our new list of interesting photobooks for the past year. Our selections feature intriguing photographic content, brilliant project concepts, and... Continue Reading →
Review by Douglas Stockdale · When Alfred Stieglitz began his Equivalents series in the early 1920’s, that while looking up into the clouds he attempted to describe more than the visible surface of objects. It was his attempt to express pure emotion, to reveal a parallel universe to his own inner state, and that his photographs could assume... Continue Reading →
Review by Rudy Vega • The first photograph in Nicholas Pollack's book, Meadow, is captioned “Empty lot, Kearny, New Jersey, 2017.” Although it displays an ostensibly vacant lot devoid of people or cars, it brims with subtle content. This photograph serves as a fitting prelude to Pollack’s overarching theme: there’s always more than meets the... Continue Reading →
Review by Douglas Stockdale · During the initial days of the COVID-19 pandemic with the immediate requirement to shelter in place many of us were probably wondering what we were to do, when is this going to end, how am I going to be impacted this, on and on and on. Many, like Amy Elkins, were... Continue Reading →
PhotoBook Journal 