The Contemporary Photobook Magazine
Review by Lee Halvorsen • This fascinating book blends striking photography with human sociology, using the metaphor of a two-way mirror to reflect a Europe beyond postcards—and the people at its margins looking back. It is puzzling, yes, but undeniably compelling. In Yesilyurt’s opening manifesto, he makes clear that his aim is not to present... Continue Reading →
Review by Hans Hickerson · When is less more and when is it less? When do fewer images in a photobook result in a better viewing experience, and when are more images better? It is a tricky question. Everyone’s experience of a book is personal. One person’s overstuffed album is another person’s fascinating collection. One... Continue Reading →
Review by Lee Halvorsen • A gripping tale of friendship and a hidden land is preserved in this story with stunning images from Cuba some thirty years ago. DeStefano traveled to Cuba in 1993, 1996 and again in 1998, during Cuba’s “Special Period” where everything for Cuba’s common person was hard to get…food, gasoline, currency,... Continue Reading →
Review by Lee Halvorsen • This book is a collection of magical, imaginative moments in what must have been a difficult, almost grieving time for the artist and her father. Her father, mostly “invisible” in the book, was leaving his Amsterdam apartment of thirty years because the building had been sold. He was downsizing and... Continue Reading →
Review by Hans Hickerson · A photographer working outside the mainstream has advantages and challenges. The challenges include not being networked as an insider and sustaining belief in yourself when you are unknown. Among the advantages is the enormous benefit of seeing with fresh eyes, along with the ability to follow your own path without... Continue Reading →
Review by Olga Bubich · Regardless of their genre, language or author, there is always something common for all the expectations we have of books – whether those are conventional ones or photobooks. It is a story. Indeed, any book ever written or assembled of images has a certain unfolding narrative, a structure suggesting the... Continue Reading →
Review by Paul Anderson · In his photobook Fungi, Nicolai Howalt reveals the vivid, otherworldly beauty of fungal mycelium — an organism most of us never actually see. As surface dwellers we primarily encounter fungi as mushrooms, which are the fruiting bodies of fungi. Howalt, however, photographs mycelium, which is normally found below the fruiting... Continue Reading →
Review by Hans Hickerson · In art, as elsewhere, less is often more. Pare something down, eliminate unnecessary details and distractions, reduce it to its essence, and you end up with a core that resonates beyond its supposed limits. Eugene Richards’ New World works like that. His 56 black and white photographs depict scenes from... Continue Reading →
Review by Gerhard Clausing • As you start viewing João Linneu’s JJ VFF VV, you quickly get the idea that joy and pain go hand in hand and that a good portion of stamina pays off. The parents waited ten years to get the OK and participation of their son Valentín for this impressive journey... Continue Reading →
Review by Hans Hickerson · I thought I qualified as prolific. I have three, possibly four, new photobooks coming out this year, for a career total of seventeen, if you include the zines. It is not a competition of course, and not all photobooks are created equal. But check out Robert Dunn’s Ecstatic Light Photo... Continue Reading →
PhotoBook Journal 