The Contemporary Photobook Magazine
Review by Rudy Vega · Sean Perry’s Fairgrounds is a modest book in scale but not in feeling. There are no crowds, no bright over the top color, and no appetite for nostalgia as popular entertainment. Instead, the book treats the fairground as a site of afterimage and projection: a place to re-enter through atmosphere.... Continue Reading →
Review by Melanie Chapman · Brian Rose is an accomplished photographer, but he is also a masterful magician. Not in the pull a rabbit out of a hat sense, but rather in the make order out of chaos and pull forth sounds and smells from still images version of magic. This is a skill he... Continue Reading →
Review by Gerhard Clausing • How do you show moods and emotions in your photographs? How are a photographer’s feelings transmitted? And what about the people being photographed, and what do places and environments signal to us? Furthermore, what is the nature of the relationship between the photographer and the model? Such are the issues... Continue Reading →
Review by Brian F. O’Neill · Brave River is the 2026 image-text photobook produced in collaboration between photographer Todd Morten and writer/poet Tim Z. Hernandez, released by Mouthfeel Press. Both authors are based in the American borderlands and have developed other works about the landscape and its inhabitants in recent years. Both are motivated by... Continue Reading →
Review by Hans Hickerson · No wonder many photographers have given up using photography to hunt down and capture individual images of things seen in the world. Today with photobook publishing so accessible photographers have other possibilities. Exploring your past, for example. Or your family relationships. Or a particular historical time and place. Or, as... Continue Reading →
Review by Hans Hickerson · Is it just my impression or are there fewer photobooks today about observed, external, “objective” reality and more about the inner reality of relationships and personal situations? Photographers are using books to explore their lives and experiences – mothers and daughters, daughters and fathers, brothers, sisters, parents, families. Elizabeth Clark... Continue Reading →
Review by Matt Schneider · “My roots in the South extend from Alabama to Kentucky, including Virginia, the Carolinas, Tennessee. When I go back and set foot on the ground where my ancestors lived, whether it’s in Tennessee or at a family reunion in Warrenton, North Carolina, I am connecting with the power of my... Continue Reading →
Review by Hans Hickerson · I recently read someone’s comment that there are two kinds of photobooks, art books and story books. A possible third category could be concept books. El Retrato De Tu Ausencia is definitely based on a concept, an approach, an original idea. The author, Alejandro “Luperca” Morales, rephotographed Ciudad Jaurez newspaper... Continue Reading →
Review by Gerhard Clausing • Since its beginnings 200 years ago, photography has occupied an uneasy territory between what is seen and what is not. Photographs record moments that have already vanished; they transform the visible world into a trace of itself. In A Lineage of Spectral Femininity, Hali Autumn embraces this condition not as... Continue Reading →
Review by Hans Hickerson · Disarmingly direct and unassuming, Tom Lyon and Pauline Vanden Neste’s On est venus ici pour la vue presents people and places in the Aurore neighborhood of Brussels, Belgium. Built in the 1960s, the neighborhood comprises seven high-rise apartment blocks set among green spaces along a canal. Like other engineered housing... Continue Reading →
PhotoBook Journal 