The Contemporary Photobook Magazine
Review by Wayne Swanson • Phony patriotism. Vilifying the opposition. Demonizing outsiders. Sound familiar? The days of Making America Great Again may be over, at least for now, but the problem is international. Perhaps nowhere is the rise of nationalism, populism, and authoritarianism more of an issue than in Hungary under the regime of Viktor Orbán.... Continue Reading →
Review by Wayne Swanson • Depending on your point of view, the fine art and fashion photography of Juergen Teller is either “iconic” and “idiosyncratic” on the one hand, or “amateurish” and “ugly” on the other. So it should be no surprise that his approach to photographing architecture would be a bit out of the... Continue Reading →
Review by Melanie Chapman • Who doesn’t love the smell of sweat, stale beer, and vomit? Who doesn’t fondly remember the danger of getting your eye poked out by the spikey hair of an amped up punk thrashing around in a mosh pit? Not you? Well then move right along Granny; this aint your book.... Continue Reading →
Review by Douglas Stockdale • While reading one of John Steinbeck’s many novels did you at one time attempt to visualize his Salinas Valley landscape that was seriously impacted by the pervasive drought conditions of the 1930’s? Dorothea Lange’s Migrant Mother may have come quickly to mind or perhaps the Dust Bowl photographs of Arthur Rothstein... Continue Reading →
Review by Paul Anderson • Deep purples and blacks, satiny reds, rich oranges- the night photography of Hanoi by Wouter Vanhees treats the reader to a rich range of colors that he finds in his well-composed urban night scenes. His is a unique look at a big city. The photographs are austere, lonely, and haunting. Some... Continue Reading →
Review by Wayne Swanson • Wouldn’t it be nice to live in a Saul Leiter photograph? The soothing atmosphere, the soft, light and, most of all, the gentle painterly color palette of a pioneer in color street photography. As Yumiko Izu discovered, Leiter not only shot such images, he did indeed live in them. The... Continue Reading →
Review by Debe Arlook • The gently layered experience of Tanpa Izin begins with the cover: an untitled forest green and black abstract photograph speckled with the Ben Day dot technique, mirrored on the back cover. Bound by a four-sided kelly green rubber band; I make note of the color green. In her first photobook, Ohemaa Dixon offers... Continue Reading →
Review by Melanie Chapman • Have you ever enjoyed a novel, or fallen in love with a painting or film, only to later learn something uncomfortable about the creator or the situation in which the work was produced? Did you find yourself rethinking your reaction based on that new information, or were you able to... Continue Reading →
Review by Wayne Swanson • “Where are we going?” “I wanted to show you nothing.” Coming from most people, that explanation would hardly seem appealing. But William Eggleston is not most people. “Nothing” has earned him his place as a seminal figure in modern fine art photography. When he told Harmony Korine and Juergen Teller... Continue Reading →
Review by Douglas Stockdale • This book is about an enduring love story between two individuals, Blieke and Nicole, with a few twists. As they tell it, they met at a mental institution, as we later learn, Nicole has severe anxiety attacks, while we surmise that Blieke met Nicole while he was visiting his lover... Continue Reading →
