Photographer: Frank Cancian (born Stafford Springs, CT and lives in Irvine, CA)
Self-Published (350): Irvine, CA, second edition copyright 2017
Essays: Franco Arminio, Rocco Pagnatiello and Frank Cancian
Stiff cover, perfect bound glued binding, digital lithography, printed by Hemlock Printers (Canada)
Photobook designer: Doug daSilva
As an anthropologist by training and a photographer as a creative passion, these two elements were fused together in 1957 when Frank Cancian investigated a small Italian hill-top community located east of Naples. This body of work would also pass for a photojournalist story found in either LIFE or LOOK magazines of this same period. It is now a photobook of memories about social and economic conditions that have since evolved.
As a trained observer of culture and society, Cancian’s process did not allow him to remain aloof and at a distance, but to directly interacted with his subjects, catching them in self-reflection as well as allowing them to boldly face his lens. For a small Italian town, an Italian-American stranger with a camera was an oddity, thus his presence was conspicuous. Nevertheless, over time he was able to blend in and become more of an objective observer.
The book is divided into four sections; The Town, The Piazza, Procession of Our Lady of Graces and The Farm, all important elements to life in this region following WWII. The double page spread of a wedding progression as it snakes along the hilltop road winding through the town is beautifully composed. The light drizzle adds an interesting atmospheric effect. Cancian includes in the edge of the frame in the foreground a small knot of townspeople who although are not part of the wedding procession, are still very interested in this local event. Likewise the humorous pairing of the padre and the individual with the up cast eyes could be a metaphor for good and evil, as we suspect the good intentions of the padre, but are not sure of the sly look of his other subject.
The first Edition hardcover book was published by Delta 3 Edizioni, copyright 2013, who regretfully chose a lithographic printer that either had inadequate color management or was asleep at the wheel while this book was being printed; major color shifts that are too noticeable, especially when these occur with a photograph spanning a page spread, with one page in one color, while the other half is another color. To Cancian’s credit he felt compelled to self-publish this book in a second edition under his direct publishing control for the US market. There are 20 additional photographs and the Italian text was not provided in the second edition. Regretfully as with most glued perfect binding, this book design does trap some of the image content in the gutter diminishing the visual effect of photographs that are a double page spread.
Cancian is a first generation American whose family had emigrated from Italy, thus his project is part autobiographical. Cancian’s Lucedonia is a Finalist in the recent Lucie Photobook Awards for this self-published edition.
The first edition of Cancian’s book was reviewed previously here: Lucedonia