Photographer: Chris Mottalini (born Buffalo, NY & resides Brooklyn NY, USA)
Self-Published: Corgi Editions (E: 350): Brooklyn, NY copyright 2017
Text: English & Thai
Stiff cover with French folds, Japanese folded pages and cold-glue binding, four-color lithography, printed in Belgium by Die Keure
Photobook designer: Remake Design (Mike Dyer)
Chris Mottalini’s recently self-published photobook Land of Smiles is a visual rhapsody in three distinct movement in the way it is episodic yet strangely integrated. The photographs of each of the three movement are free-flowing in structure and overall has a range of moods, color and tonality.
This book project coincides with three of his recent visits to Thailand in which Mottalini investigated three attributes of the Thai landscape, one aspect on each journey. He first noted of the use of florescent tubes as night lights in the countryside, which creates surreal night landscapes. Subsequently Mottalini investigated the myriad of narrow streets and alleyways of the large city of Bangkok and then on a return to the country side during his next visit to explore the nighttime dense fauna within the limitations of an artificial light. The two dark movements then create endcaps to the brilliantly colors and complex cityscapes.
The book’s design with the use of the Japanese folded pages and textured papers is a brilliant choice as this book object has what be best described as an oriental experience. A classic case of form following function.
Mottalini has stated (discussions with Michael Adno for Aint-Bad and Jon Feinstein for Humble Arts) that “Land of Smiles is intended to be a dreamlike experience, a collection of blurred memories, a wandering, distracted meditation….Land of Smiles is a nickname for Thailand which was invented by the tourism industry, it’s a bit tongue in cheek, I thought it was a perfect title for the book, though, in part because my photographs are so opposite of anything related to tourism and the Western world’s perception of Thailand.”
Previous Chris Mottalini photobook reviewed: After you Left, They took it Apart