Photographer: Robert Lyons (born Malden, MA & resides in Portland, OR and Berlin, Germany)
Published by Zatara Press (250): Richmond, VA USA copyright 2017
Text: English
Hardcover, Leporello design with glued binding, four-color lithography, printed by Wanderer Drucker, Germany
Photobook designer: Zatara Press
Notes:
The ephemeral nature of life is inclusive of the final days, something that is never thought about in our youth, maybe there are hints as one thinks about opportunities yet to achieve in light of recent accomplishments in middle age, until when the concept really sets in as parents become deathly ill or friends and acquaintances unexpectantly pass away. The former was the situation for Robert Lyons’s return from Europe in the summer of 2008 when his mother’s health was failing and his brother needed assistance in caring for her. Lyons was inspired to capture his mother’s likeness as a personal memorial, but she forbade him to photograph her in her remaining days.
What appears as serendipity is an introduction to Walter Niemiec, the uncle of his studio assistant, Erica Ann Flood. Niemiec, who like his mother, was in his advanced years but he was open to Lyons photographic investigation. The resulting photobook Pictures From The Next Day is part environmental portrait, part visual metaphor and part investigation of the ephemeral end of life.
I will have to admit that this book struck an emotional cord regarding the failing health of my mother. Regretfully due to the later stages of Alzheimer’s, she no longer resembled the woman or mother that I knew, thus leading to my other artist projects that investigate her and our relationship. Likewise, Lyons gracefully acquiesce to her wishes not to be photographed (remembered) at this stage of her life and thru Niemiec, he was given an opportunity to “glimpse into my own mortality and aging, something I had not really given much thought to prior”
Lyons has attempted to create a visual biography that would speak for who Niemiec is (and was) in the many still life documents. We are introduced to his subject’s various interests, someone who liked to fish, root for his favorite baseball team, the Red Sox, and an interest in building model airplanes. The home appears as a time capsule; dated chairs and lamps, usually in disarray, a typewriter harkening to a pre-computer era, a dust covered VHS unit, portable radios, a not so modern kitchen that includes a telling line-up of now essential medication bottles.
I was also intrigued by the books layout using a leporello design as another metaphoric layer for this environmental portrait. The continuous fold-out of the page-spreads are symbolic of the continuity of a person’s essence, that the various aspects of someone’s life is complex and interrelated, not defined by one particular defining moment. An interesting and well thought out design element, one that I think we will be seeing more of in the future.
This book was selected as one of Interesting PhotoBooks of 2017.
Cheers!
Douglas Stockdale