Photographer: Todd Weaver (born in Kansas City, Missouri; lives in Los Angeles, California)
Publisher: Self-published; © 2018
Essays: Devendra Banhart; Rodrigo Amarante
Hardcover book, sewn, cloth-bound, debossed cover with tipped-in illustration; 212 paginated pages; 9 ¼ x 11 ¾ inches; printed in the USA by Dual Graphics
Photobook designer: Todd Weaver
What would happen if people portrayed by photographers were given more freedom and control over the process than is usually the case? Who would really be in control?
The title of this innovative photobook refers to the 36 persons who appeared in a specific space, to be photographed by Todd Weaver as THEY might like, moving at will for three minutes for a total of 36 exposures, taken every 5 seconds, while the camera location remained the same. If ever there was true collaboration between photographer and person portrayed, this is it – unprecedented and most intriguing! This project reminded me a bit of the work of Canadian photographer Arnaud Maggs, who photographed individuals from various angles to arrive at a more complete depiction of each person, but Weaver’s approach goes even further.
Here the individuals photographed externalized and structured their appearance and movements and bared their insides as well. We can see a most eclectic series of self-portrayals, produced in collaboration with the photographer as uber-visualizer. The fact that the 36 individuals are artists helps a bit, I think, since their self-concepts and their understanding of self-presentation may be somewhat more developed than in others. This also presented major challenges to the photographer to capture the appearances authentically and with technical dexterity in the short amount of time and with physical restrictions. We see a gamut of emotions and degrees of physicality – some made use of objects that are meaningful to them, some appearing with clothes and some without or fewer than usual. The photographic techniques employed by Weaver also encompass the range of possibilities – from close-ups to full-body renderings, from sharply defined specifics to somewhat longer exposures that are able to trace movement or quick gestures that the eye might not register sharply either.
The photobook is a pleasure to view and peruse; the design is attractive and varied, full of surprises. It is as if you are sitting in a theater and 36 characters that will appear in the play briefly introduce themselves to the audience, both as actors and also in the roles they are playing. The volume constitutes a refreshingly different visual record of thirty-six creative individuals captured by their innovative artistic photographer. The process of baring their souls is well described in the impressions written by Rodrigo Amarante. The project concludes with notes on the 36 artists who participated in this project. A most impressive and creative work!