The Contemporary Photobook Magazine
Review by Hans Hickerson · OK, another senior photographer has just published a book of their early work. So let’s check it out. Is it like similar books? Is it murky, derivative student work that hasn’t yet found its voice? Would it see the light of day if not for the photographer’s name recognition and... Continue Reading →
Review by Lee Halvorsen • Jerusalem is a city like no other…traditions, faiths, races, separation, strife, love, hate, all living, loving and lasting together for 5,000 years. Gabay describes these city attributes as “layers” where places and people share the same space, sometimes the same frame and in that "captured in the camera" moment lives... Continue Reading →
Review by Lee Halvorsen • This fascinating book blends striking photography with human sociology, using the metaphor of a two-way mirror to reflect a Europe beyond postcards—and the people at its margins looking back. It is puzzling, yes, but undeniably compelling. In Yesilyurt’s opening manifesto, he makes clear that his aim is not to present... Continue Reading →
Review by Hans Hickerson · When is less more and when is it less? When do fewer images in a photobook result in a better viewing experience, and when are more images better? It is a tricky question. Everyone’s experience of a book is personal. One person’s overstuffed album is another person’s fascinating collection. One... Continue Reading →
Review by Gerhard Clausing • As you start viewing João Linneu’s JJ VFF VV, you quickly get the idea that joy and pain go hand in hand and that a good portion of stamina pays off. The parents waited ten years to get the OK and participation of their son Valentín for this impressive journey... Continue Reading →
Review by Henry Kallerud · The opening photograph of “April” peers down onto an old house bounded by thick walls of shrubbery. Rissman populates this secluded garden with intimate portraits of people at varying stages of life that appear in non-chronological sequence. They engage their reader in recognizing faces across stages of childhood, adolescence, and... Continue Reading →
Review by Gerhard Clausing • This photobook, To Love, Fear and Consume by Kostis Argyriadis, presents a host of challenges to the viewer. First and foremost, what do the three verbs in the title suggest? Our lives are certainly full of challenges, and in our present time we feel particularly vulnerable and are anticipating many... Continue Reading →
Review by Olga Bubich · Addressing traumatic or otherwise challenging pasts and processing childhood trauma have long been among the most common subjects in photography, and photobooks are no exception. Every year, numerous projects are created, sharing with distant readers stories of close proximity: those of complicated – or non-existent – relationships with fathers, those... Continue Reading →
Review by Gerhard Clausing • How do you show moods and emotions in your photographs? How are a photographer’s feelings transmitted? And what about the people being photographed, and what do places and environments signal to us? Furthermore, what is the nature of the relationship between the photographer and the model? Such are the issues... Continue Reading →
Review by Hans Hickerson · Disarmingly direct and unassuming, Tom Lyon and Pauline Vanden Neste’s On est venus ici pour la vue presents people and places in the Aurore neighborhood of Brussels, Belgium. Built in the 1960s, the neighborhood comprises seven high-rise apartment blocks set among green spaces along a canal. Like other engineered housing... Continue Reading →
