Artist: Ellen Korth (b. The Hague, Netherlands – resides Deventer (Netherlands) & Nordhorn (Germany)
Self-Published 2018 and developed in collaboration with Castle (Kasteel) Twickel (Netherlands) (see exhibition photo below), signed and numbered Edition of 50
Poetry: Pablo Nerudo
Stiff cover, rolled, artist printed on 14-gram Japanese Awagami double-layered paper, and then bottom layer removed, Japanese binding by Fopma Wier/Wytze Fopma
Photobook designer: -SYB- (Sybren Kuiper)
Notes: Family mysteries and family secrets, how does one investigate these and then subsequently report their findings? What if there is no collaboration; those who could speak to what occurred are no longer among us, then how does one know really with certainty what the “truth”, a slippery slope at best, might be?
Ellen Korth is continuing to investigate into what might be her family history. With this latest work, a layered translucent artist book, she provides a wonderful metaphor for memory while attempting to deal with her mother’s desire to keep her own past a secret.
Her subject are garments that are from a wardrobe collection at the Castle (Kasteel) Twickel, which are reminiscent of her mother’s under clothes that constitute very personal feminine items. It is by looking closely at these personal items similar to those her mother choose to spend much time in cleaning and preparing, Korth might find some understanding or make a connection with the secrets of her late mother’s past that she was reluctant to share.
Perhaps fitting that Korth is investigating undergarments in a quest to further understand here own mother, as these items are things that a woman would keep secret, as these are concealed under her clothing. Metaphorically clothing is a facade, meant to hide what resides underneath, while the undergarments create both exterior form as well as concealing the person’s full identity. A facade is a false front, projecting something that one might want others to think they know and with Korth’s own mother, not allowing others to know the true person who lurks within.
Likewise utilizing the thin translucent Japanese Awagami paper to print her book, Korth layers her subjects, allowing one to see thru the ghostly layers. Nevertheless these layered pages, without providing a clear and sharp definition, are visually representing various attributes of a murky and unknown memory.
Other photobook by Ellen Korth featured on The PhotoBook Journal: CHARKOW