Catherine Balet – Moods in a Room

Review by Gerhard Clausing • In these days of self-isolation we certainly have become more familiar with our rooms, and with the moods they might hold or generate. In photography, the concept of particular spaces and all that happens in them involves a visualization of past, present, and possibly future juxtapositions and permutations – memories... Continue Reading →

Jon Ortner – Peak of Perfection

Review by Douglas Stockdale • I believe a photobook based on a body of work that explores the nude form has some high esthetical and contemporary hurdles to overcome; a genre of art that predates photography itself. The nude and semi-nude, both male and female, are frequently subjects for photographers for a wide variety of... Continue Reading →

Bill Henson – The Light Fades But the Gods Remain

Review by Wayne Swanson • So often, suburbia is portrayed as a bland and vacuous place — tract homes, franchise convenience stores, and a lot of sullen youth. That’s not the way Australian photographer Bill Henson sees it. Through Henson’s lens, suburbia is a dreamscape filled with dark shadows, fluffy clouds, Egyptian ruins, teenage angst, pastoral... Continue Reading →

Wesley Channell – Human Canvas

Review by Gerhard Clausing • Here’s a list of ingredients for an exciting project: A dynamic photographer with an understanding of modern art and an appreciation of the beauty of the human body (Wesley Channell) A visual artist with a love for body painting and an understanding of performance, sets, and backgrounds (Alexis Logwood) Talented... Continue Reading →

PhotoBook Journal – Issue #12

Welcome to our 12th issue • This is our 12th issue, marking the first year of our magazine format. No one anticipated that on our first anniversary the entire world would be struggling with a COVID-19 pandemic. I would like to think this event has provided many of you with more book-reading time and an... Continue Reading →

Maxim Dondyuk – Culture of Confrontation

Review by Gerhard Clausing • In these crazy times it is especially disheartening to view violent scenes of man-made confrontations between “right and wrong” – a clash of cultures, defined in this photobook as differing and seemingly opposing world views, old versus new perspectives. At issue is the question of where Ukraine’s allegiance should be... Continue Reading →

Jonas Byström – Winter White

Review by Wayne Swanson • While it’s officially spring on the calendar, snow is making its last stand in many places around the world. But what if it were the last stand ever? In places like the Grand Duchy of Luxembourg, that tiny European country surrounded by Belgium, Germany, and France, climate change is quickly making... Continue Reading →

MAGNUM STREETWISE

Review by Melanie Chapman • When offered the opportunity to review Magnum’s new collection of Street Photography, I was giddy with anticipation. As a fan of spontaneous and un-posed imagery, I looked forward to revisiting classic examples of street photography from founding/early Magnum members such as Henri Cartier-Bresson and Elliot Erwitt, and then tracing their... Continue Reading →

Harry Gruyaert – Last Call

Review by Wayne Swanson • The allure of air travel seems a distant memory in our current era of long lines, invasive security checks, and packed flights. Yet airports, when considered through the eyes of a photographer rather than a harried traveler, can be captivating places. Longtime Magnum photographer Harry Gruyaert is drawn to them. “The... Continue Reading →

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