The Contemporary Photobook Magazine
Welcome to our Tenth Issue! • We have just entered a new decade that we are starting with a broad selection of photobooks this month, as well as an interview with photo-documentary photographer and film-maker Louie Palu, who is no stranger to creative book publications. We have selected a thoughtful combination of published and self-published photobooks that we... Continue Reading →
Review by Gerhard Clausing • Charles Fréger’s latest photobook presents an intriguing photographic and ethnographic study of “the masks, costumes, and characters created by the descendants of Africans and indigenous peoples in the Americas to honor their ancestors, commemorate their history and celebrate their heritage.” (Back cover) Our history certainly follows us around, and old... Continue Reading →
Review by Melanie Chapman • Sometimes words fail, and in the case of reviewing Michael Crouser’s photobook Mountain Ranch, this is a good thing. A handsome collection of over 100 black and white photographs documenting the daily lives of cattle ranchers in Northwestern Colorado, Mountain Ranch is a contemporary book with a classical feel, of an... Continue Reading →
Review by Douglas Stockdale • Is it a blessing or a curse? The double edged sword of the vast Oil Sands of Alberta Canada is a major economic boon to the region in conjunction with an ecological disaster that appears to be related to chronic health issues for those who live and work in the... Continue Reading →
Review by Gerhard Clausing • How to portray a city through its residents? The city of Berlin is certainly one of the most diverse places in the world. Combining the former West and East sections, it is now an even more expanded center of culture and cultures. The citizens’ well-known directness and swagger, sometimes referred... Continue Reading →
Review by Douglas Stockdale • What initially struck me in reading Kevin Bubriski’s latest photobook, Mustang in Black and White, was the pictorial framing and sequential interweaving of the landscape and portraits photographs of Nepal. In a turn-about, this colorful region is illustrated using higher contrast black and white photographs that border on abstraction. As... Continue Reading →
Review by Wayne Swanson • “Were it not for.” What a perfect phrase for our Trumpian times. With these four words you can claim responsibility and assess blame. Deflect accountability, cast aspersions, or simply cover your ass. To “control the narrative” is the goal. In Michael Ashkin’s hands, the four words turn deadpan images into ominous... Continue Reading →
Review by Douglas Stockdale • The loss of a parent is always emotionally difficult regardless of one’s age, perhaps especially if this event occurs early in one’s life. The ways an individual can come to terms with the tragic impact varies. For Sarah Hadley an emotional convergence occurred well after her father’s passing at a... Continue Reading →
Review by Gerhard Clausing • How do you effectively illustrate the follies of WAR? No matter how many times some of us advocate brain over brawn, war seems to be an ever-present specter, and this past week was certainly a glaring example. Perhaps such aggressive behavior is a remnant of the ancient male warrior who... Continue Reading →
Review by Wayne Swanson • What defines a city? Civic boosters point to all manner of urban amenities, but highways and freeways are seldom among them. Functional at best, highways are more likely known as noisy, divisive, and unsightly rips in the urban fabric. Yet in the post-World War II era, their impact on American cities... Continue Reading →
PhotoBook Journal 