Photographer: Yehlin Lee (born and lives in Taipei, Taiwan)
Publisher: Akaaka Art Publishing, Kyoto, Japan; © 2017
Afterword: Yehlin Lee
Text: Japanese, Chinese, English
Hardback, sewn, with debossed illustrated cover; 118 unpaginated pages with 76 color photographs; 26 x 26 cm (10 ¼ x 10 ¼ inches); printed and bound in Japan by Live Art Books
Photobook Designers: Yehlin Lee, Kimi Himeno, Hisaki Matsumoto
Haven’t we all tried to make sense of our environment many times over? Lucky are those of us who can use our photography to help us provide access to how the rhythms of our environment flow. Those who also have a connection with and a touch for more than the visual mode, such as sound, music, film, to guide their instincts, have the good fortune to be inspired in more ways than one.
Yehlin Lee from Taipei is one of these lucky people who are guided by more than one modality. Having an artistic connection with sound, with a career as a sound artist (check out some soundscapes on his website), he is guided toward special moments where sounds give him cues for locating and interpreting the visual moments that he chooses to share with us. As he states in his latest artist statement, “My way of looking is deeply influenced by my past experience in listening – unconditional acceptance. Like a submarine, I try to feel without bearing any intention and dive into the collective consciousness of Taiwanese as well as mine. When sound is heard from within, I click the shutter.” Lee’s goal is, as he states, to capture “a certain suppressed force of life, a spiritual intensity …”
And indeed, the photographer has produced a very special and sensitive journey into the heart and soul of a very complex metropolitan region. Raw Soul reminded me a bit of the film Into the Night (1985), in which the character played by Jeff Goldblum searches the night for meanings and encounters various cultural layers. Taiwan, with many customs and belief systems that have a history going back many centuries, is a multifaceted conglomeration of cultures and backgrounds. To capture its spirit and flow in a mere 76 images is quite a feat.
We see many hidden places and mysterious juxtapositions of nature and man, such as a sharp plant leaf and a culturally interesting knife. We get glimpses of ancient remnants and current practices and combinations of these; we see a variety of age groups, old and young, and some interaction. Many of the folks shown are not readily identifiable or are shown as a small portion of a larger universe; thus we are able to project ourselves into this world in which the photographer immerses us. Mysterious figures behind glass, young folks in various roles, subject to influences of old and new, East and West, spiritual and mundane … a respectful look by an artist that understands the layers and the sublayers as well. Yehlin Lee also makes excellent use of selective focusing and unfocusing and blurring/longer exposures to add mystery. The layout and sequencing keep us in suspense from beginning to end. We, the observers, share in the artist’s resonating moments that let us in on a very special metropolitan area.
A complex work, attractively presented – highly recommended!