Review by Douglas Stockdale • Emily White utilizes large format photographic equipment in conjunction with alternative photographic technics to investigate an urban and its bordering natural landscapes. There is an undercurrent of mystery, as though something is being haunted, in the dark moody body of work that White exhibited in her first solo show with Candela... Continue Reading →
Tema Stauffer – Southern Fiction
Review by Melanie Chapman • “Impressions of the Past, and what Remains.” At a certain time in the afternoon of late winter, the sun shines through my front window and fills the living room with long strands of a honey yellow glow. The sounds of children playing across the street subside as families reconvene to share... Continue Reading →
Jason Paul Reimer – Excavation: A Journey Through Loss
Review by Douglas Stockdale • Reviewing Jason Paul Reimer’s book Excavation: A Journey Through Loss is not the first time that I have seen this body of work. While jurying an earlier photobook competition for Los Angeles Center of Photography, Reimer’s project was submitted as a book-dummy/singular-artist-book. It was juried into the subsequent exhibition as well as garnering... Continue Reading →
Zindzi Zwietering – Bron
Review by Brian F. O’Neill • Bron is the first monograph by photographer Zindzi Zwietering (Netherlands), released in 2022 by Dutch publisher The Eriskay Connection, who have been releasing wonderfully designed and thought-provoking books across the course of their catalogue. This publisher has been a model of using the book form to open new possibilities between... Continue Reading →
Caio Reisewitz – Altamira
Review by Brian O’Neill • There is a QR code at the end of several additional texts that come inserted with this book that takes you into the Amazon rainforest, roughly 70% of which is within the territorial boundaries of the nation-state we call Brazil. Those sounds are at once familiar to me – the buzzing activity... Continue Reading →
Jesse Marlow – Don’t Just Tell Them, Show Them
Review by Brian O’Neill • Jesse Marlow is a street photographer. You may have seen him on the streets, or on social media, as he is a well-regarded photographer with a list of impressive national exhibits, as well as being a Leica brand Ambassador. In these ways, there is no denying he is the envy... Continue Reading →
Harry Gruyaert – Between Worlds
Review by Melanie Chapman · Camera, Color, Cacophony, Collage: the Magic of Discovery through Harry Gruyaert’s eyes. Between Worlds, the newest (and one of the best) Thames and Hudson publication(s) of Harry Gruyaert’s photography, is an impressive showcase for his well-earned reputation as a master colorist and confirms Gruyaert’s gift for creating beautiful visual puzzles. Throughout... Continue Reading →
Bob Newman – Shadows of Emmett Till
Review by Wayne Swanson • In 1955, a 14-year-old Black youth from Chicago, visiting relatives in the South, walked into Bryant’s Grocery Store in rural Money, Mississippi. Emmett Till wasn’t inside long, but he is said to have whistled at a white woman behind the counter. A few days later his body — beaten, shot, and... Continue Reading →
Liam Wong – After Dark
Review by Paul Anderson • With more than a small amount of photographic magic, Liam Wong’s photographs in his new book After Dark achieve a remarkable sense of solitude. These are nocturnal photographs taken in the urban cores of major metropolitan areas, well after most inhabitants have retired for the night. Similar to the hiker who seeks... Continue Reading →
Jon Horvath – This is Bliss
Review by Steve Harp · Lynchian: noted for juxtaposing surreal or sinister elements with mundane, everyday environments, and for using compelling visual images to emphasize a dreamlike quality of mystery or menace. - Oxford English Dictionary Lynchian is a description that immediately came to mind on my first viewing of Jon Horvath’s 2022 monograph, This is Bliss. It may be because... Continue Reading →