The Contemporary Photobook Magazine
Review by Melanie Chapman • “Never did bother Nobody”: The grounded and authentic culture of rural Kentucky as seen by a native son, From the Heads of the Hollers is a gorgeous new GOST publication of portraits by Kentucky native Shelby Lee Adams. Representing previously unpublished work made over 36 years, Adams’ environmental portraits... Continue Reading →
Review by Matt Schneider · The Grift begins with a short piece of reflective commentary by photographer Andrew Kochanowski. Here, he playfully describes something of a circus meets pyramid scheme. Crowds chanting now familiar phrases like, “Lock her up!” and “Build the wall!” Recurring bits about “Hoaxes, taxes, a grievance extravaganza.” Celebrity appearances from American politicians, the... Continue Reading →
Review by Gerhard Clausing • To cover more than 70 years of history and the accompanying photographic styles and to make an interesting photobook out of it requires quite a bit of talent. Gerry Badger, with all his editorial and curatorial background, is the one that can accomplish such a gargantuan task; he presents all... Continue Reading →
Review by Brian O’Neill • There is a QR code at the end of several additional texts that come inserted with this book that takes you into the Amazon rainforest, roughly 70% of which is within the territorial boundaries of the nation-state we call Brazil. Those sounds are at once familiar to me – the buzzing activity... Continue Reading →
Review by Wayne Swanson • In 1955, a 14-year-old Black youth from Chicago, visiting relatives in the South, walked into Bryant’s Grocery Store in rural Money, Mississippi. Emmett Till wasn’t inside long, but he is said to have whistled at a white woman behind the counter. A few days later his body — beaten, shot, and... Continue Reading →
Reviewed by Madhu Joseph-John • This is what you might first see when you have Pradip Malde’s photo book in your hand: women, young and old, some with head covers, some with razor blade in hand, others grinding a clay like mass with stones, girls with their legs splayed and being held down by women, acacia... Continue Reading →
Review by Douglas Stockdale • While we at PhotoBook Journal tend to defer from broad thematic photobooks with a multitude of contributors, and in general the illustrated catalogs for exhibitions usually have little design and layout merit. I take exception with the recent exhibition publication in conjunction with Harvard Art Museums being very worth investigating. The exhibition and... Continue Reading →
Review by Brian F. O’Neill • Fish Story, the last major project/publication by Southern California based photographer, filmmaker, critic, teacher, and theorist Allan Sekula was originally released coincident with a touring exhibition that began in Rotterdam, Netherlands in 1995 and concluded in Kassel, Germany in 2002. In June of 2018, it was re-released by London headquartered... Continue Reading →
Review by Gerhard Clausing • When Scot Sothern was a young man, he became, by his own description, an ‘itinerant photographer’ who, having escaped from the formal studio work edicts of his father’s practice, decided to mix with and get to know the folks on the street in the 1970s, especially since at that time... Continue Reading →
Review by Douglas Stockdale • I am writing and publishing this book review today on Earth Day, which I believe is a fitting subject. Interestingly, this book is not directly about climate change, per se, but speaks indirectly to what is required to support renewable natural resources, such as our forests, in this case, the expansive... Continue Reading →
PhotoBook Journal 