The Contemporary Photobook Magazine
Review by Douglas Stockdale • Living in Southern California, I have a familiarity with border walls, specifically the American-Mexican wall that lies less than 100 miles south of my home. After relocating to California, a trip to the Tijuana tourist shops in near-by Mexico was usually on the list of go-to places for visiting relatives, parking... Continue Reading →
Review by Wayne Swanson • With its familiar yellow-and-black color scheme and blocky cover design, A Small Guide to Homeownership appears to be just another addition to the shelves of “For-Dummies” how-to books. And with a table of contents featuring chapters that progress from “Home Sweet Home: Still the Best Investment You Will Ever Make” to “Protecting Yourself... Continue Reading →
Review by Melanie Chapman • Have you ever enjoyed a novel, or fallen in love with a painting or film, only to later learn something uncomfortable about the creator or the situation in which the work was produced? Did you find yourself rethinking your reaction based on that new information, or were you able to... Continue Reading →
Review by Melanie Chapman • During these past few months of the pandemic, haven’t we each found ourselves staring out windows, looking for signs of life, and longing to travel near and far once again? Dotan Saguy’s newest work Nowhere to Go but Everywhere arrives at a perfect time. Even if the book’s title, taken from... Continue Reading →
Review by Wayne Swanson • There’s a classic Irish short story in which a child in a village asks an Irish Traveller girl “Do you never tire of the road?” The girl’s quick response is “Do you never tire of being fettered?” That pretty much sums up the world views that divide mainstream society from the... Continue Reading →
Review by Lodoe-Laura Haines-Wangda • The first image in Zora Murff’s photobook At No Point In Between is actually just half an image; a tiny loose color print, six-centimeters tall, tucked in between the pages. In the fragment, Walter Scott is running, but he is separated from what he is running from. In Slow Violence and... Continue Reading →
Review by Wayne Swanson • “Were it not for.” What a perfect phrase for our Trumpian times. With these four words you can claim responsibility and assess blame. Deflect accountability, cast aspersions, or simply cover your ass. To “control the narrative” is the goal. In Michael Ashkin’s hands, the four words turn deadpan images into ominous... Continue Reading →
Review by Wayne Swanson • What defines a city? Civic boosters point to all manner of urban amenities, but highways and freeways are seldom among them. Functional at best, highways are more likely known as noisy, divisive, and unsightly rips in the urban fabric. Yet in the post-World War II era, their impact on American cities... Continue Reading →
Review by Wayne Swanson • “Let’s go for a walk.” That might sound like a pleasant invitation, but in the Spain of dictator Francisco Franco, it was often a chilling euphemism for a death sentence. During the Spanish Civil War (1936–39) and its aftermath, armed bands would round up people, take them to a remote... Continue Reading →
Review by Wayne Swanson • “. . . we went up to Mangapapapa to establish a place of wānanga for the river and it's many connections through whakapapa.” That neatly sums up Te Ahi Kā: The Fires of Occupation by photographer Martin Toft. But it takes quite a journey up the Whanganui River on the north... Continue Reading →
PhotoBook Journal 