Photographer: Rose Steinmetz (born in the country of Georgia; lives in São Paulo, Brazil)
Self-published, edition of 30; © 2017
Text: Notes inserted into an envelope, in English and Portuguese
Soft covers, loose-leaf, held by central elastic band with an envelope containing a message, 5.5 x 7.5 inches; 80 pages, unpaginated in black and white
Notes: I asked to review this project because it struck me as a challenging enigma. The photographer, Rose Steinmetz, who originally hails from the country of Georgia and now lives in Brazil, herself has a background that shares several cultural streams and influences. So it only seems fitting that this photographic project would have an effect that resembles a stream of consciousness of evocative imagery.
20 sheets, printed on both sides and folded in half, constitute 80 pages, of which a few are intentionally left blank to create pauses; they are loosely held together by an elastic string to which an envelope is attached containing some key words that relate to the term techenie, which is meant to imply current, flow, [uncontrolled] movement.
What further makes this interesting is that the viewer of this photobook can first study the flow of the original sequence (participating in the author’s journey), and then reassemble the pages to create different juxtapositions, creating a flow of his or her own, even subtracting some images if desired. I have praised this format before, most recently in my reviews of Douglas Stockdale’s Bluewater Shore and of Rodrigo Ramos’ Ex Corde (From the Heart; De todo corazón). Since there is no flowchart of the original arrangement of the pages, it would be necessary to view the video on the photographer’s website to reassemble the book in its original sequence, or else to decide to keep it in your own arrangement as your very own personal book inspired by the original.
The image sequence is stream-of-consciousness or dream-like, almost like a psychology test; the viewer is clearly transported into a world that resembles a bit of a twilight zone, sequences which challenge you to participate in the interpretation. What is your own flow, what is your own imagination of how things assemble and how life continues? Where do your own cultural influences come to bear, what small details about everyday life do you observe and focus on? And what are you able to ignore?
The images include a range, from tangible everyday objects and a few portraits, bodyscapes, animals, and landscapes, all the way to semi-abstract and abstract compositions. The printing is simple, in glorious copy-machine-like monochrome, which has been practiced by other photographers before, most prominently by Nobuyoshi Araki, and might encourage others to attempt similar photobooks. A delightful project!