The Contemporary Photobook Magazine
Review by Gerhard Clausing • Brooke DiDonato’s Take a Picture, It Will Last Longer subverts everyday life quietly from within. The photographs infiltrate our reality, introducing small impossibilities, spatial contradictions, and bodily misalignments that accumulate into a sustained, disorienting logic, characterizing a topsy-turvy world through a certain amount of disturbance, which in turn invites contemplation.... Continue Reading →
Review by Olga Bubich Spilt Milk is a debut photobook by American photographer, teacher, and photo editor Andrea Birnbaum. As its title suggests, the themes it addresses belong to the intimate sphere of regret: actions taken and responses withheld, things done, planned, postponed, overlooked, or deliberately ignored – in other words, the emotional baggage one... Continue Reading →
Review by Matt Schneider · “Inhabitants of the industrialized world have become hunter-gatherers of material goods—we seek, we find, we acquire. Our possessions reveal who we are and tell stories of our aspirations, our nostalgia, our past; each piece is a fragment of the identity we wish to project or preserve.” - David Ricci (p.... Continue Reading →
Review by Hans Hickerson · I am not the only photographer out there with decades behind the viewfinder who finally is able to deal with their accumulated collection of images. Photographer Suzanne Winterberger is in the same situation and has been evaluating and shaping her archive into books. When I first considered writing about Winterberger’s... Continue Reading →
Review by Hans Hickerson · You can think of Robert Dunn’s Tokyo Cool as a challenge to solve, with different kinds of puzzle pieces that fit together. It is about Tokyo, but it isn’t just about Tokyo. It is also about using a camera to create blurred rectangles of liquid color, pattern, and movement, mostly... Continue Reading →
Review by Brian F. O’Neill · Simultaneously with the expansion of the universe of image-text photobooks, so too have we seen a rise in research-oriented photographic projects in which the photograph is not left to stand on merits apparently internal to it. In this second modality, the photographs and the larger sequence within which the... Continue Reading →
Review by Hans Hickerson · An unflinching, comprehensive exploration of the current situation of women in Afghanistan, No Woman’s Land is an important book. It reminds us that while we take our personal possibilities for granted, women and girls in Afghanistan are treated barely better than slaves. Along with mutually reinforcing images and texts, the... Continue Reading →
Review by Hans Hickerson · To write or not to write, that is the question photographers ask when assembling their projects into books. What do you say to accompany your photographs? What needs to be said that the photographs do not already say? Will the viewer understand what you are doing if you do not... Continue Reading →
Review by Hans Hickerson · A heartfelt plea, a cri de coeur documenting the ravages of poverty in the United States, Matt Black’s American Artifacts reads like a contemporary complement to Let Us Now Praise Famous Men. Unlike the single location of the Evans / Agee book, Black traveled over 100,000 miles around the US... Continue Reading →
Review by Lee Halvorsen • Paolinelli’s powerful images immerse us in the artistry, mechanics, family, faith and community of Albuquerque’s Lowriders. The images are intense, a brilliant mixture of color and black and white bringing each page alive while blending perfectly into a single, heartfelt story. Many of the images are captioned with names and places... Continue Reading →
PhotoBook Journal 