The Contemporary Photobook Magazine
Review by Hans Hickerson · Less can definitely be more. Vladyslav Krasnoshchok’s Documentation of the War, for example, views like visual grunge rock – sound stripped down to its core. Like other successful photobooks it is a happy partnership of photography, texts, and design. How to describe Krasnoshchok’s photographs? Adjectives like bleak, dark, raw, primal,... Continue Reading →
Review by Hans Hickerson · Move over Barbie and Ken. Make way for Ken and Grant, the homonormative protagonists of Matthew Finley’s An Impossibly Normal Life, a script-flipping fantasy that views the world through a gay lens. The book is an imagined photo album that doesn’t talk about sexual orientation. Instead, it embodies queerness by... Continue Reading →
Review by Douglas Stockdale • How well do we know our extended family? How would we connect with our family’s history? What was important to them; their hopes and dreams? What can we truly understand about them if they are no longer able to provide the answers to our many questions? If even a little... Continue Reading →
Review by Gerhard Clausing • Brooke DiDonato’s Take a Picture, It Will Last Longer subverts everyday life quietly from within. The photographs infiltrate our reality, introducing small impossibilities, spatial contradictions, and bodily misalignments that accumulate into a sustained, disorienting logic, characterizing a topsy-turvy world through a certain amount of disturbance, which in turn invites contemplation.... Continue Reading →
Review by Olga Bubich Spilt Milk is a debut photobook by American photographer, teacher, and photo editor Andrea Birnbaum. As its title suggests, the themes it addresses belong to the intimate sphere of regret: actions taken and responses withheld, things done, planned, postponed, overlooked, or deliberately ignored – in other words, the emotional baggage one... Continue Reading →
Review by Matt Schneider · “Inhabitants of the industrialized world have become hunter-gatherers of material goods—we seek, we find, we acquire. Our possessions reveal who we are and tell stories of our aspirations, our nostalgia, our past; each piece is a fragment of the identity we wish to project or preserve.” - David Ricci (p.... Continue Reading →
Review by Hans Hickerson · I am not the only photographer out there with decades behind the viewfinder who finally is able to deal with their accumulated collection of images. Photographer Suzanne Winterberger is in the same situation and has been evaluating and shaping her archive into books. When I first considered writing about Winterberger’s... Continue Reading →
Review by Hans Hickerson · You can think of Robert Dunn’s Tokyo Cool as a challenge to solve, with different kinds of puzzle pieces that fit together. It is about Tokyo, but it isn’t just about Tokyo. It is also about using a camera to create blurred rectangles of liquid color, pattern, and movement, mostly... Continue Reading →
Review by Brian F. O’Neill · Simultaneously with the expansion of the universe of image-text photobooks, so too have we seen a rise in research-oriented photographic projects in which the photograph is not left to stand on merits apparently internal to it. In this second modality, the photographs and the larger sequence within which the... Continue Reading →
Review by Hans Hickerson · An unflinching, comprehensive exploration of the current situation of women in Afghanistan, No Woman’s Land is an important book. It reminds us that while we take our personal possibilities for granted, women and girls in Afghanistan are treated barely better than slaves. Along with mutually reinforcing images and texts, the... Continue Reading →
PhotoBook Journal 