The Contemporary Photobook Magazine
Review by Gerhard Clausing • Mardi Gras in New Orleans is an old tradition. Just as is the case in Europe and elsewhere, there are religious and tribal underpinnings to these liberating rituals that have been around for many centuries. Of special importance is the fact that participants can assume alternate identities; they can feel... Continue Reading →
Review by Melanie Chapman • “Beautiful, interesting… and sometimes cruel.” If Robert Frank had played in a punk rock band, how would that have influenced his work? What kind of images would he have made? Luckily, we have Tatsuo Suzuki’s new photobook Friction/Tokyo Street to answer that question. Wow. What an exciting book! One cannot... Continue Reading →
Review by Kristin Dittrich • When her photobook reached me for review, I had to put it aside at first. Benita Suchodrev’s Of Lions and Lambs weighs a hefty 5 kg and comprises more than 360 pages. In the past, books like this one contained an artist’s life’s work; today, other standards exist in many... Continue Reading →
Review by Gerhard Clausing • It’s been more than half a century since Robert Frank stirred things up with his first major work, The Americans. Some of what he, the outsider, observed in regard to racial inequality and strife, economic hardships, and political swagger are still in need of improvement even as these lines are... Continue Reading →
Review by Gerhard Clausing • Having recently reviewed the contemporary street photography of Allen Wheatcroft, Body Language, and also having heard about the controversy surrounding the work of Butturini, I was certainly curious to take a closer look at this photobook as well. The book is marked “Edited by Martin Parr” on the cover, and... Continue Reading →
Review by Gerhard Clausing • We expect contemporary street photography to go beyond what was traditional, which often sought out dingy and dreary locations and moments to show the lesser side of things. We expect contemporary street photographers to capture the dynamic nature of city hustle and bustle, people unobserved and interactively pursuing their business,... Continue Reading →
Review by Wayne Swanson • Is trying to explain Garry Winogrand’s photographs an interesting challenge or a fool’s errand? After all, Winogrand repeatedly rebuffed attempts to philosophize about his work with statements like “You’re talking about meaning. I want to talk about the pictures.” Nevertheless, Geoff Dyer gives it a shot in this big book of... Continue Reading →
Review by Wayne Swanson • Want to be a street shooter, traveling the world in search of decisive moments? Here’s one path to success: Join a rock band, get famous, tour the world, get bored staring at hotel-room walls between gigs, decide “Yeah — get a camera.” It worked for Andy Summers, who played with a... Continue Reading →
Review by Wayne Swanson • Are you fluent in photography? Not f-stops and apertures. Not representational or abstract, fine art or documentary. Not Ansel or Robert Adams. Rather, do you understand the visual language of photography? For the late Nathan Lyons (1930 – 2016), the world was “a vast repertoire of signs that await being... Continue Reading →
Review by Gerhard Clausing • This photobook by Cristiano Volk is all about the mysterious and historic Venice, Italy. It is a novel view of a place that has been incessantly photographed, resulting in zillions of predictable tourist snapshots that imitate tourism brochures. The city is built on islands, always poised to battle the surrounding... Continue Reading →
