Review by Melanie Chapman • Perhaps the greatest compliment one can pay a photographer is to be so inspired by their work that you go out into the world and attempt to make pictures in the same vein. Thus, on Christmas Day, Ken Light’s new photobook Course of the Empire compelled this reviewer to drive downtown, seeking images... Continue Reading →
Ben P. Ward – I Dream of Dust
Review by Wayne Swanson • Colorado may be known as a land of snow-capped peaks, ski slopes, and the mystique of a certain bland beer brewed with pure Rocky Mountain spring water. But that’s just the half of it. Head east from Denver, and you enter another world. A flat, semi-arid world. A world of dust. ... Continue Reading →
Sal Taylor Kydd – Yesterday
Review by Douglas Stockdale • During a pandemic, during the worst of the chaos and angst, many of us must have found themselves reflecting on the past framed by the current moment. Sal Taylor Kydd in her latest poetic narrative, Yesterday, appears to pose an intriguing question, when might today start to resemble yesterday? This body of... Continue Reading →
Stacy Mehrfar – The Moon Belongs to Everyone
Review by Douglas Stockdale • Stacy Mehrfar’s dark book, The Moon Belongs to Everyone, recently published by GOST Books is unsettlingly, and I believe deservedly so. Even the book’s title is a bit vexing, a generalization for all mankind but hints at moonlight and things that might go bump in the night. That night with its limited visibility... Continue Reading →
Henry Mullins – Michelle Sank – on the social matrix
Review by Douglas Stockdale • This small booklet, aka a zine, is the third of a series published by the Societe Jersiasise Photographic Archive, under the Editions Emile imprint, that investigates their photographic collection, founded by Emile F. Guiton focused on the Channel island of Jersey. For context, Jersey is located in the English Channel between... Continue Reading →
Nick Brandt – The Day May Break
Review by Douglas Stockdale • Nick Brandt’s latest photobook, The Day May Break, is another evolutionary step in his process of investigating the environmental and ecological issues facing the African continent that represent the greater issues facing mankind worldwide. He utilizes his extensive cinematic experience to create emotionally charged photographic portraits that juxtapose people and animals to... Continue Reading →
Rich-Joseph Facun – Black Diamonds
Review by Gerhard Clausing • I once wrote an essay comparing learning a new language being similar to moving to a new town, a journey to get to know some new paths to achieving reasonable goals. As an outsider coming to a new place, there is always much to learn and take in, and to... Continue Reading →
Massimo Nolletti and HX – Sea Change
Review by Douglas Stockdale • The title of Massimo Nolletti and HX’s artist book, Sea Change, sets the stage for the black and white seascapes of Nolletti, but this does not leave one prepared for the juxtaposition of HX’s series of black and white portraits. That her portraits are all printed on gatefolds allows these photographs when... Continue Reading →
Sally Davies – NEW YORKERS
Review by Melanie Chapman • A friend used to say “I don’t know if I miss New York, or if I just miss my twenties…” After looking through NEW YORKERS, the recent photobook by Sally Davies, the most likely response will be a resounding “YES!” to both. No matter your age or era, if you’ve... Continue Reading →
Catherine Opie
Review by Rudy Vega • Catherine Opie epitomizes what it means to be a prolific artist as Phaidon’s recent release, Catherine Opie aptly showcases. It is a handsome hardcover book of 338 pages of which 300 are of images, including 6 gatefolds. Additionally, there is an introductory essay, and three additional essays serving as lead-ins to the chapters,... Continue Reading →