Joel Meyerowitz – REDHEADS

Review by Gerhard Clausing • Summer … sunshine … the beach … nuances of reddish hair and warm skin colors: the perfect combination for a carefree holiday feeling – moments of relief from the tedium of everyday stress. These are the perfect ingredients for this project by Joel Meyerowitz; these features captured his attention for... Continue Reading →

Reinhard Matz – Faces Without People

Review by Gerhard Clausing • The process of depicting simulated people in fake ‘portraits’ has reached new levels of perfection. The software programming known as GAN (Generative Adversarial Network) combines features from known human portraits to create endless new simulated ‘portraits’ depicting nonexisting pseudo-people, looking quite real. When I first came across this process in... Continue Reading →

Koschies – SURFACES

Review by Gerhard Clausing •­ If you have had enough of the same old style of portraits, then get ready for something completely different. These meticulously produced portraits by the artist duo known as Koschies demand some new definitions, since they challenge our customary way of visualizing each other. We are used to seeing portraits... Continue Reading →

Scot Sothern – Family Tree

Review by Gerhard Clausing • When Scot Sothern was a young man, he became, by his own description, an ‘itinerant photographer’ who, having escaped from the formal studio work edicts of his father’s practice, decided to mix with and get to know the folks on the street in the 1970s, especially since at that time... Continue Reading →

George Tice – Lifework

Slipcover, George Tice: Lifework Review by Douglas Stockdale • One of my first photobook acquisitions is another retrospective by George Tice – Photographs 1953-1973, which was then a twenty-year retrospective. Now that I am a bit older and perhaps wiser, I am understanding why this earlier book was published when noting that the introduction is by the... Continue Reading →

Pamela Landau Connolly – Fly in Amber

Review by Douglas Stockdale • Lady Clementina Hawarden (1822 – 1865) was a 19th century British photographer who photographed her adolescent daughters, frequently incorporating the use of mirrors and other reflecting surfaces creating multi-faceted portraits and visual narratives exploring self-reflection and introspection. Interestingly little is known of her life, who remains a mystery and what is suspected... Continue Reading →

Sarah Kaufman – Devil’s Pool

Review by Brian O’Neill • The Devil’s Pool is a roughly 15-foot-deep by 25-foot-wide basin of water tucked within Wissahickon Valley Park located in Northwest Philadelphia, USA. But, if you Google “Devil’s Pool,” the aforementioned pool does not appear. Instead, you will find “Devil’s Pool, Victoria Falls.” You will read that it is “a tourist attraction in... Continue Reading →

Phillip Prodger – Face Time

Review by Melanie Chapman • As the saying goes: You can’t judge a book by its Cover. In the case of the new Thames and Hudson publication “Face Time: A History of the Photographic Portrait”, edited by Phillip Rodger, the cover itself agrees. Two youths are photographed with slight variations in perspective so that each looks... Continue Reading →

Anne Berry – Behind Glass

Review by Douglas Stockdale • Anthropomorphism, that is giving human traits or attributes to animals, is probably most applicable when observing primates, those animals we seem to attribute some of their attributes to us an interesting twist on zoomorphism. All the more when the subjects are observed in confined quarters in which we suspect they have... Continue Reading →

Ken Light – Course of the Empire

Review by Melanie Chapman • Perhaps the greatest compliment one can pay a photographer is to be so inspired by their work that you go out into the world and attempt to make pictures in the same vein. Thus, on Christmas Day, Ken Light’s new photobook Course of the Empire compelled this reviewer to drive downtown, seeking images... Continue Reading →

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