The Contemporary Photobook Magazine
Review by Paul Anderson • Deep purples and blacks, satiny reds, rich oranges- the night photography of Hanoi by Wouter Vanhees treats the reader to a rich range of colors that he finds in his well-composed urban night scenes. His is a unique look at a big city. The photographs are austere, lonely, and haunting. Some... Continue Reading →
Review by Wayne Swanson • Wouldn’t it be nice to live in a Saul Leiter photograph? The soothing atmosphere, the soft, light and, most of all, the gentle painterly color palette of a pioneer in color street photography. As Yumiko Izu discovered, Leiter not only shot such images, he did indeed live in them. The... Continue Reading →
Review by Debe Arlook • The gently layered experience of Tanpa Izin begins with the cover: an untitled forest green and black abstract photograph speckled with the Ben Day dot technique, mirrored on the back cover. Bound by a four-sided kelly green rubber band; I make note of the color green. In her first photobook, Ohemaa Dixon offers... Continue Reading →
Review by Melanie Chapman • Have you ever enjoyed a novel, or fallen in love with a painting or film, only to later learn something uncomfortable about the creator or the situation in which the work was produced? Did you find yourself rethinking your reaction based on that new information, or were you able to... Continue Reading →
Review by Wayne Swanson • “Where are we going?” “I wanted to show you nothing.” Coming from most people, that explanation would hardly seem appealing. But William Eggleston is not most people. “Nothing” has earned him his place as a seminal figure in modern fine art photography. When he told Harmony Korine and Juergen Teller... Continue Reading →
Review by Douglas Stockdale • This book is about an enduring love story between two individuals, Blieke and Nicole, with a few twists. As they tell it, they met at a mental institution, as we later learn, Nicole has severe anxiety attacks, while we surmise that Blieke met Nicole while he was visiting his lover... Continue Reading →
Review by Wayne Swanson • It’s just a room, and a very small one at that, but there aren’t many spaces with a presence as large as the Roman Catholic confessional. S. Billie Mandle captures its seen and unseen power in Reconciliation. Mandle, a photographer based in Los Angeles and Western Massachusetts, spent ten years photographing... Continue Reading →
Review by Wayne Swanson • The deprivation caused by the COVID-19 pandemic knows no bounds. Consider the plight of the Los Angeles jet set. Boutiques on Rodeo Drive shuttered. Beverly Hills Hotel and Chateau Marmont deserted. Even their jets at LAX grounded and shrink-wrapped for freshness until the crisis is over. Those are the scenes... Continue Reading →
Review by Wayne Swanson • There’s nothing to see here. Yet photographer, artist, and photobook publisher Andy Burgess presents a captivating collection of images that remind us of what once was. Signs of Nothing delivers just what the title says — images of empty signs that once beckoned us to stores, motels, gas stations, restaurants,... Continue Reading →
Review by Wayne Swanson • This is one disorienting book. It deals with serious social issues — the effects of environmental pollution, institutional racism, the rise and fall of the industrial economy, and more. Yet the photos sure are beautiful. The painterly effects invite comparisons with a who’s who of modern artists. That’s a lot... Continue Reading →
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