Review by Douglas Stockdale • Although Brian O’Neill’s southern California subject, Beach Boulevard, extends from the San Gabriel mountains to the Pacific Ocean, his emphasis appears to circle around one of the end-points: the urban landscape of Huntington Beach, a costal community. His perspective is a combination of street photographer, with hints of photographic-documentary, overlaid with... Continue Reading →
Caroline Irby – Someone Else’s Mother
Review by Melanie Chapman • What is it that constitutes family? Is it a matter of love, or bloodline alone? Is family determined by time spent together, common interests, shared experience? Is family a matter of choosing whom among billions of people on the planet we trust and look out for and want to be with?... Continue Reading →
Pamela Landau Connolly – Fly in Amber
Review by Douglas Stockdale • Lady Clementina Hawarden (1822 – 1865) was a 19th century British photographer who photographed her adolescent daughters, frequently incorporating the use of mirrors and other reflecting surfaces creating multi-faceted portraits and visual narratives exploring self-reflection and introspection. Interestingly little is known of her life, who remains a mystery and what is suspected... Continue Reading →
Sarah Kaufman – Devil’s Pool
Review by Brian O’Neill • The Devil’s Pool is a roughly 15-foot-deep by 25-foot-wide basin of water tucked within Wissahickon Valley Park located in Northwest Philadelphia, USA. But, if you Google “Devil’s Pool,” the aforementioned pool does not appear. Instead, you will find “Devil’s Pool, Victoria Falls.” You will read that it is “a tourist attraction in... Continue Reading →
Ed Kashi – Abandoned Moments. A Love Letter to Photography
Review by Gerhard Clausing • Not too long ago, the term “abandoned moments” meant images that we would toss aside: subject not significant enough, not sharp enough, some blurring or out-of-focus areas, camera movement, and more. Well, nowadays that is the stuff that the finest photographic art is made of; they are the central techniques... Continue Reading →
Rafal Milach – I Am Warning You
Review by Douglas Stockdale • Living in Southern California, I have a familiarity with border walls, specifically the American-Mexican wall that lies less than 100 miles south of my home. After relocating to California, a trip to the Tijuana tourist shops in near-by Mexico was usually on the list of go-to places for visiting relatives, parking... Continue Reading →
Martin Buday – Prophetic Kingdom
Review by Wayne Swanson • The everyday landscape is filled with the banal, the kitschy, and the mundane. But that doesn’t mean it can’t be artful and engaging. Philadelphia-based photographer Martin Buday spent two decades traveling around the United States, collecting images that capture the wonder in the ordinary. The result is Prophetic Kingdom, which shows that... Continue Reading →
Anne Berry – Behind Glass
Review by Douglas Stockdale • Anthropomorphism, that is giving human traits or attributes to animals, is probably most applicable when observing primates, those animals we seem to attribute some of their attributes to us an interesting twist on zoomorphism. All the more when the subjects are observed in confined quarters in which we suspect they have... Continue Reading →
Ken Light – Course of the Empire
Review by Melanie Chapman • Perhaps the greatest compliment one can pay a photographer is to be so inspired by their work that you go out into the world and attempt to make pictures in the same vein. Thus, on Christmas Day, Ken Light’s new photobook Course of the Empire compelled this reviewer to drive downtown, seeking images... Continue Reading →
Bruce Haley – Home Fires, Vol II: The Present
Review by Wayne Swanson • Bruce Haley is a photographer known for his international coverage of war and its aftermath. His work during Burma’s bloody civil war in 1990 earned him the coveted Robert Capa Gold Medal. Yet in his quiet personal work he keeps the home fires burning. The lands of his youth and his... Continue Reading →