Review by Gerhard Clausing • Peter Hujar was a photographer who chronicled the cultural scene of New York City in the 1970s and 1980s. He was also known for his magical ways in photographing animals, as well as for his focus on what was then called ‘figure studies.’ He seemed unwilling or unable to play... Continue Reading →
Mimi Svanberg – Fragments
Review by Gerhard Clausing • Abstract art can certainly fuel one’s imagination. When the main attention of a photograph is more diffuse, that is, not so concrete, we can let our thoughts wander, and we can project our own experiences, wishes, and hopes into what is shown or not shown. When individuals and places are... Continue Reading →
9mouth – Eroshoot
Review by Gerhard Clausing • The American painter Robert Henri, who also spent some time in Paris, once said, “When we respect the nude, we will no longer have any shame about it.” This is a principle that also very much applies to the Chinese photographer 9mouth, who has a special affinity for depicting the... Continue Reading →
Mona Kuhn – Works
Review by Douglas Stockdale • This photobook is a retrospective of the collective published projects of Mona Kuhn, thus aptly titled Works. It is a compilation of her published creative endeavors that she has been laboring on for the past twenty-five years in conjunction with her principal publishing collaborator Steidl. In addition, there are also included some... Continue Reading →
René Groebli – The Magic Eye
Review by Wayne Swanson • Some artists are of their time. Others, like Swiss photographer René Groebli, transcend time. From the 1940s through the new millennium, he assembled a diverse and innovative body of work, often at odds with the conventions and expectations of the moment. The Magic Eye is the first retrospective look at the... Continue Reading →
Brandt Nudes
Review by Douglas Stockdale • Throughout his photographic career, Bill Brandt (Hermann Wilhelm Brandt, b. 1904 Hamburg, Germany – 1983) continued to explore the poetry of the nude form. Brandt had assisted Man Ray in his Paris studio in the 1930’s when Brandt started to think of using a nude subject to investigate the unique perspective... Continue Reading →