Review by Gerhard Clausing • In Zero Hour, Birthe Piontek continues her exploration of identity and mortality. Known for her psychologically charged portraiture and introspective photographic storytelling (especially in Abendlied, which I reviewed previously), Piontek’s newest photobook connects the personal and the universal in a significant visual narrative. The term “Zero Hour” is historically charged—it... Continue Reading →
Florian Reischauer – Pieces of Berlin, ’19–23
Review by Gerhard Clausing • Berlin is most certainly a very complex and dynamic European city. The population includes people from all kinds of countries with all kinds of backgrounds, and at the same time the city shows a great deal of tolerance regarding behavioral idiosyncrasies and various belief systems when you compare it to... Continue Reading →
Ruth Walz – Theater im Sucher / Theater Through a Lens
Review by Gerhard Clausing • Stage photography, especially when it involves theatrical productions, is both a craft and an artistic endeavor requiring great skills. Not only do you have to be in command of your photography, but you also have to be a talented communicator, dealing with the director of the play, with the actors,... Continue Reading →
Jason Langer – Berlin
Review by Gerhard Clausing • To me, the fact that human beliefs can result in the intentional deaths of others has always been an unfathomable tragedy. Whether it is local warfare against minorities or worldwide imperialist campaigns against some groups, the goal in all these instances seems to be the enforcement of the preferences of... Continue Reading →
Malte Uchtmann – Ankommen (Arriving)
Review by Wayne Swanson • Arab Spring. The Mexican-U.S. border crises. Ongoing strife in Africa. And now the exodus from Ukraine to escape the Russian assault. What to do with all these refugees? Germany, in the wake of the wave of emigration caused by Arab Spring uprisings in 2015, emerged as a beacon of hope by... Continue Reading →
Jörg Colberg – Vaterland
Review by Gerhard Clausing • In some respects, Germans believe in equal opportunity – they give credit to their parents for country and language: Vaterland is ‘fatherland’ and Muttersprache means ‘mother tongue.’ As history has shown, however, the term Vaterland carries a heavy burden, as it is associated with the sins and atrocities of the... Continue Reading →
Nobuyoshi Araki and Juergen Teller – Leben und Tod (Life and Death)
Review by Gerhard Clausing • Mutual admiration between two photographers can be extraordinary, especially when it stimulates new work and when it happens across cultures. Even more important, this universal theme of life and death leaves no one untouched. Nobuyoshi Araki had seen Juergen Teller’s project Leben und Tod including pictures of his grieving mother... Continue Reading →
Florian Reischauer – Pieces of Berlin 2014-2018
Review by Gerhard Clausing • How to portray a city through its residents? The city of Berlin is certainly one of the most diverse places in the world. Combining the former West and East sections, it is now an even more expanded center of culture and cultures. The citizens’ well-known directness and swagger, sometimes referred... Continue Reading →
Christiane Haid – RheinRevue
Review by Gerhard Clausing • The use of the leporello technique for presenting a continuity of visuals has a long tradition. In picture postcard presentations, for example, there are interesting varieties going back to the end of the 19th century that present little fold-outs emerging from flaps that show various views of an area. In... Continue Reading →
Ute and Werner Mahler – Kleinstadt
Review by Kristin Dittrich • "The places where life works – that is not where we photographed," comments Ute and Werner Mahler, one of the most famous living artist photographer couple in Germany. Over a period of three years, they travelled to more than 100 small towns to take portraits of young people, architecture, and... Continue Reading →