The Contemporary Photobook Magazine
Review by Gerhard Clausing • One error in judgment, a lifetime of suffering … In this book, the courageous Hannah Kozak allows us to share her struggles with her mother who left her first husband and five children, including Hannah, for an abusive drinker who in a final blow caused her permanent injury, including brain... Continue Reading →
Review by Wayne Swanson • Planning a photobook and assembling all the images needed to tell your story is a process that can take years. Unless you’re Lukas Birk, who did it all in one day. Birk is an Austrian photographer, archivist, and publisher. He has travelled the world producing complex books and curatorial projects in... Continue Reading →
Review by Madhu Joseph John • Art book critics generally use criteria such as contents and caliber of images, layout, production niceties, such as quality of paper, design, and above all, the originality of the subject matter to analyze books they wish to review. In House Music, a photobook by Charles Rozier, many of these... Continue Reading →
Review by Wayne Swanson • Around 2006, San Francisco photographer Alan Ostreicher got a simple idea: Why not document life in his apartment? It would be a personal project, not necessarily intended for anyone beyond him and his wife. Who else would want to capture such mundane subject matter anyway? Jump ahead to the pandemic of... Continue Reading →
Review by Gerhard Clausing • In this photobook the documentary photographer Tomas Wüthrich provides us with a visual glimpse into our own past, into a world without supermarkets that supply us with our meat, fruits, and vegetables. It is a fascinating journey into the disappearing world of the Penan people of Borneo, who were discovered... Continue Reading →
Review by Douglas Stockdale • Matt Shallenberger’s photobook The Leaping Place is a mashup of family history, overlaid with a visual investigation of Hawaiian mythology. He utilizes the Hawaiian mythology of Kumulipo, a long chant of creation, as the foundation for his own creation quest, using translations of this long chant to help guide him in... Continue Reading →
Review by Douglas Stockdale • The late Ralph Eugene (Gene) Meatyard, 1925 – 1972, was an optician whose personal artistic quest has had an extended impact on contemporary photography. In 1972, at the time of Meatyard’s passing, my personal interest in the creative aspects of photography were just beginning to take shape. At that time,... Continue Reading →
Review by Gerhard Clausing • In these days of self-isolation we certainly have become more familiar with our rooms, and with the moods they might hold or generate. In photography, the concept of particular spaces and all that happens in them involves a visualization of past, present, and possibly future juxtapositions and permutations – memories... Continue Reading →
Review by Gerhard Clausing • Traditional family photo albums and internet visuals of families are commonplace, often full of clichés and mostly of use only to those appearing in the photographs and possibly their closest relatives and friends. On the other hand, to see family members and friends professionally observed in formal portraits, with full... Continue Reading →
Book review by Steve Harp • Good Days Quiet, Robert Frank’s final book – or the final book he would have made editorial contribution to – continues the series of books published by Steidl “organizing” Frank’s archives in the twilight of his career. Subtitled “memories from Robert” the book alternates photographs (interior and exterior) of... Continue Reading →
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