Nat Ward – DITCH: MONTAUK, NY 11954

Review by Janesa Brosnan • “All the world is a beach, and all the men and women merely players in the sand”  - Rufus Wainwright and Jörn Weisbrodt, Introduction As a Southern Californian, I have always had memories of playing in the sand and cold water of the Pacific. The beaches that line the Western Coast have... Continue Reading →

Inuuteq Storch – Necromancer

Review by Gerhard Clausing • No one knows exactly what will happen when we all leave this earth. Many possibilities have been imagined over time; religious systems and mysterious other processes have been developed to try to give a structure to what might happen and to give people some hope for a chance at a... Continue Reading →

Thomas Kellner – Kapellenschulen (Chapel Schools)

Review by Paul Anderson •  Since 1997 Thomas Kellner has been exploring the artistic possibilities of the photographic film contact sheet, turning the grid structure of the sheet into his artistic playground. He designs and sequences the contact sheet frames in order to build dancing deconstructions of a larger scene. His prior deconstructions have included... Continue Reading →

Penny Wolin – Guest Register

Review by Wayne Swanson • In the spring of 1975, a budding photographer from Cheyenne, Wyoming, just 21 years old, checked in to a single-room occupancy hotel in Hollywood. During her three-month stay there she created portraits of her fellow residents that launched what would be a long and successful career. “All I had to do was... Continue Reading →

Dawn Surratt & Sal Taylor Kydd – A Passing Song

Review by Douglas Stockdale • During the COVID-19 pandemic a number of creative projects resulted from the forced need to isolate from one another that substantially reduced our ability to have personal interactions. One such project is the collaborative endeavor by Dawn Surratt and Sal Taylor Kydd that resulted in their self-published book A Passing Song. Similar... Continue Reading →

Emmet Gowin – The One Hundred Circle Farm

Review by Douglas Stockdale • Who has not flown over America’s Great Plains witnessing the immense circular patterns created by the farmers and wondered if these were the inspiration for the abstract artists of the Abstract Expressionism of the 1950s and the Color Field paintings of the 1960s? For me, these aerial perspectives recall the abstract... Continue Reading →

Pradip Malde – From Where Loss Comes

Reviewed by Madhu Joseph-John • This is what you might first see when you have Pradip Malde’s photo book in your hand: women, young and old, some with head covers, some with razor blade in hand, others grinding a clay like mass with stones, girls with their legs splayed and being held down by women, acacia... Continue Reading →

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