Review by Douglas Stockdale • It may not come as a surprise to anyone who has followed Duane Michals extensive photographic career spanning 50+ years that he is visual storyteller with a wicked sense of humor. His latest photobook of visual puns, The Idiots Delight - Plaisirs Ridicules, is a brilliant concept and complemented by an... Continue Reading →
Jerry Takigawa – Balancing Cultures
Review by Wayne Swanson • Gaman: enduring the seemingly unbearable with patience, dignity, and silence. Shikata ga nai: it cannot be helped. For the Japanese Americans who were sent to internment camps during World War II, these terms defined their incarceration. For photographic artist Jerry Takigawa, whose parents and grandparents were among them, “the shadow legacy from... Continue Reading →
Lars Eidinger – AUTISTIC DISCO
Review by Gerhard Clausing • An actor who challenges various norms in his performances can be expected to do the same when using photography as another outlet for his creative abundance. That’s a perfect description of Lars Eidinger – he is not afraid to devote his skills to creating characters who show us the darker... Continue Reading →
Gary Green – The River is Moving/The Blackbird Must be Flying
Review by Steve Harp • Gary Green’s monograph The River is Moving/The Blackbird Must be Flying (L’Artiere, 2020) is a beautiful and delicate object. Measuring 6 ½” by 9 ½”, enclosed between plain white softcovers, the book features a perfect binding with visible spine. In this exposed Smythe style of binding, the spine remains uncovered, leaving open the folded... Continue Reading →
Regina Anzenberger – Gstettn
Review by Douglas Stockdale • I am frequently asked by participants in my creative book workshops about how to resolve a complex project in which they cannot determine how to choose and focus on just one aspect. I now have a brilliant solution in the recently self-published Gstettn by Regina Anzenberger; create a multitude of books in which... Continue Reading →
007 – Natalie Christensen
Review by Paul Anderson • Natalie Christensen arrived in New Mexico six years ago, and immediately found inspiration in this alluring and enchanted place. She has been producing a series of sparse and minimalist images of her new home, and a selection of these are featured in this book. Her enigmatic images focus on the buildings,... Continue Reading →
Massimo Nolletti and HX – Sea Change
Review by Douglas Stockdale • The title of Massimo Nolletti and HX’s artist book, Sea Change, sets the stage for the black and white seascapes of Nolletti, but this does not leave one prepared for the juxtaposition of HX’s series of black and white portraits. That her portraits are all printed on gatefolds allows these photographs when... Continue Reading →
Sally Davies – NEW YORKERS
Review by Melanie Chapman • A friend used to say “I don’t know if I miss New York, or if I just miss my twenties…” After looking through NEW YORKERS, the recent photobook by Sally Davies, the most likely response will be a resounding “YES!” to both. No matter your age or era, if you’ve... Continue Reading →
Abbey Hepner – The Light at the End of History: Reacting to Nuclear Impact
Review by Gerhard Clausing • In these pandemic times we are certainly being reminded that things we cannot see, such as viruses, can hurt us badly, and that our human tendency to ignore dangers we cannot visually ascertain can lead us astray. So it is with atomic energy and its flip-side, nuclear waste, some of... Continue Reading →
Catherine Opie
Review by Rudy Vega • Catherine Opie epitomizes what it means to be a prolific artist as Phaidon’s recent release, Catherine Opie aptly showcases. It is a handsome hardcover book of 338 pages of which 300 are of images, including 6 gatefolds. Additionally, there is an introductory essay, and three additional essays serving as lead-ins to the chapters,... Continue Reading →