The Contemporary Photobook Magazine
Review by Steve Harp • As I looked through Ara Oshagan’s 2021 monograph displaced, for some odd reason I was reminded of James Agee’s 1941 study of tenant farming in the American south, Let Us Now Praise Famous Men. There is a surface level of similarity in that both books are, in a sense “documentary” - considerations of the lives of... Continue Reading →
Review by Wayne Swanson • The hills and hollers along the Appalachian Mountains running down the eastern United States are steeped in folklore and folkways. In From Yonder Wooded Hill, photographer Riley Goodman spins a narrative tale from his experiences there and the stories he heard growing. Drawing from his own photos, archival images, short passages of text and poetry,... Continue Reading →
Review by Gerhard Clausing • Summer … sunshine … the beach … nuances of reddish hair and warm skin colors: the perfect combination for a carefree holiday feeling – moments of relief from the tedium of everyday stress. These are the perfect ingredients for this project by Joel Meyerowitz; these features captured his attention for... Continue Reading →
Welcome to our 39th Issue • We again greet the summer with a selection of photobooks for you to consider for your holidays and vacations plans. We are also delighted to provide six photobooks supporting Ann Mitchell's latest Thinking About Photographyshowcase, Place. Concurrently we are aghast and severely disappointed with many of the recent American Supreme Court decisions that are being handed down by a super-majority of ultra-conservative justices. On... Continue Reading →
Review by Brian F. O’Neill • The origin of the term mise-en-scène, while it is now most commonly used within media and cinema studies, is attributed to the French writer Alexandre Dumas. Dumas financed and helped design his Château de Monte-Cristo in Port-Marly, France on the outer suburban fringe of Paris, and in so doing named it... Continue Reading →
Review by Gerhard Clausing • The process of depicting simulated people in fake ‘portraits’ has reached new levels of perfection. The software programming known as GAN (Generative Adversarial Network) combines features from known human portraits to create endless new simulated ‘portraits’ depicting nonexisting pseudo-people, looking quite real. When I first came across this process in... Continue Reading →
Review by Rudy Vega • Japan is a country of four distinct seasons. Hot, humid and rainy summers followed by mild pleasant autumn complete with fall colors. Then winter sets in for four months of frigid cold snowy weather. But with the arrival of spring comes renewal as symbolized by the cherry blossoms or Sakura as... Continue Reading →
Review by Douglas Stockdale • While we at PhotoBook Journal tend to defer from broad thematic photobooks with a multitude of contributors, and in general the illustrated catalogs for exhibitions usually have little design and layout merit. I take exception with the recent exhibition publication in conjunction with Harvard Art Museums being very worth investigating. The exhibition and... Continue Reading →
Review by Rudy Vega • Photobooks come in all different shapes and sizes. Generally speaking, they adhere to more or less standard configurations. A foreword and an introduction, followed by photographs in support of a concept. A typical photobook might be organized around a central theme or it may consist of series of images investigating typologies... Continue Reading →
Review by Brian F. O’Neill • Fish Story, the last major project/publication by Southern California based photographer, filmmaker, critic, teacher, and theorist Allan Sekula was originally released coincident with a touring exhibition that began in Rotterdam, Netherlands in 1995 and concluded in Kassel, Germany in 2002. In June of 2018, it was re-released by London headquartered... Continue Reading →
PhotoBook Journal 