Tom Griggs – A Creature Obeys A Creature That Wants / La criatura sigue a su animal interior

Guest Review by Lee Halvorsen • Its unique slipcase hints at the book’s story, a glimpse of the author’s relationship with his father and his father’s journey with mental illness. The compelling images are a skilled progression of family snapshot photography and the author’s abstract images brought to life with powerful text and exquisite sequencing.... Continue Reading →

Maurice Hicks – Ganbatte

Review by Rudy Vega • Ganbatte, a self-published photobook by Maurice Hicks, stands out as an innovative blend of a photo album, travelogue, and personal art project. Spanning from 2019 to 2022, Hicks's book captures his travels to Japan through a collection of over 100 images, utilizing a diverse array of formats such as Polaroid... Continue Reading →

Magdalena Wysocka – Studies of Falls

Review by Paul Anderson • A first look through Magdalena Wysocka’s photobook Studies of Falls can be a very mysterious experience. There is nothing here to help point the way. The images are vague, there is no introductory text, there are no image captions, and no artist statement. There is, however, an important hint printed... Continue Reading →

MAGNUM MAGNUM

Review by Melanie Chapman · At a certain age in life, admitting what you want to be when you grow up may feel like standing on the shore watching all boats, large and small, setting off to sea. You find yourself waving as the vessels grow more distant on the horizon and ever closer to adventures... Continue Reading →

Dominic Turner – False Friends

Review by Bill Edwards • Dominic Turner’s premier monograph False Friends opens the viewer to a world of subtle exploration into the dark and not quite so recognizable places. This engaging work explores the shadows and other ghostly details we form in the imagination. This collection of photographs contains both the familiar and the ethereal... Continue Reading →

Johannes Groht – Due Occhi

Review by Steve Harp · Due Occhi, the title of Johannes Groht’s new monograph, can be translated from Italian as “two eyes.”  Before considering some of the associations triggered (to use Groht’s term from the artist’s insert included in the review copy), we might first pause to consider the “newness” of the book.  Published in 2020, the book (again... Continue Reading →

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