Interesting Photobooks of 2023

Yet another year has gone by, and while the world peace we were hoping for is still further away than it was a year ago, it is nevertheless time for us to present you with our new list of interesting photobooks for the past year. Our selections feature intriguing photographic content, brilliant project concepts, and... Continue Reading →

Regina Anzenberger – Roots & Waltz

Review by Douglas Stockdale · When Alfred Stieglitz began his Equivalents series in the early 1920’s, that while looking up into the clouds he attempted to describe more than the visible surface of objects. It was his attempt to express pure emotion, to reveal a parallel universe to his own inner state, and that his photographs could assume... Continue Reading →

Nicholas Pollack – Meadow

Review by Rudy Vega • The first photograph in Nicholas Pollack's book, Meadow, is captioned “Empty lot, Kearny, New Jersey, 2017.” Although it displays an ostensibly vacant lot devoid of people or cars, it brims with subtle content. This photograph serves as a fitting prelude to Pollack’s overarching theme: there’s always more than meets the... Continue Reading →

Amy Elkins – Anxious Pleasures

Review by Douglas Stockdale · During the initial days of the COVID-19 pandemic with the immediate requirement to shelter in place many of us were probably wondering what we were to do, when is this going to end, how am I going to be impacted this, on and on and on. Many, like Amy Elkins, were... Continue Reading →

Antony Penrose – Lee Miller: Photographs

Review by Melanie Chapman • Thoroughly Modern Miller: The Photographs of a Master Who Refused to Remain a-Muse-ing Nearly one quarter of the way through the twenty-first century, and approximately one hundred years after the birth of Surrealism, the “female gaze” is finally gaining recognition as a credible artistic point of view. Thus, Lee Miller... Continue Reading →

Ian Howorth – A Country Kind of Silence

Review by Gerhard Clausing • In his very perceptive essay for this photobook, Harry Gallon provides a very important insight: “Place exists as the altar of our everyday existence.” He goes on to discuss the multiple layers of history that weigh heavily on all the locations that were photographed by Ian Howorth for this astonishing... Continue Reading →

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