Every year the Fall release of photobooks by publishers is a big event. They want to have their books ready for the holidays and itching to get on somebody's Top Ten book list for the year. With the COVID-19 pandemic this Fall's release is already a bit irregular. Boxes of books are on ships sitting in a port waiting... Continue Reading →
Friedlander First Fifty
Review by Darin Boville • Redmond O'Hanlon's basic writing strategy is to put himself in some remote and dangerous place and to write about how he overcame obstacle after obstacle to his very survival and found his way back. This is a strategy that will be familiar to many artists. Bill Bryson thinks the world of... Continue Reading →
Emanuel Cederqvist – The Ditch
Review by Douglas Stockdale • War, conflict and then its aftermath can create terrible consequences for man-kind. But what if what occurs afterward is benign and seemingly without any drama? Could this justify the conflict or afford one the opportunity to ignore or look away? This appears to be the indirect question raised by Emanuel Cederqvist’s... Continue Reading →
Brian Rose – Monument Avenue (Corrected)
Review by Melanie Chapman • Timing is everything, as is perspective. This is true in photography as well as in life. Recently, the imposingly large statue of Robert E. Lee, the Civil War general who represented the racist past of the American south, was finally dismantled in just over an hour, after having dominated a residential... Continue Reading →
Nick Prideaux – 008
Review by Paul Anderson • In his work, Nick Prideaux investigates the quiet moments of life, working to illuminate the "delicate stillness" within them. He employs a Zen-like photographic style, providing a relaxing respite from this weary world. Prideaux’s images are simple and well composed, often containing either a single person or a glimpse of an... Continue Reading →
Duane Michals – The Idiots Delight – Plaisirs Ridicules
Review by Douglas Stockdale • It may not come as a surprise to anyone who has followed Duane Michals extensive photographic career spanning 50+ years that he is visual storyteller with a wicked sense of humor. His latest photobook of visual puns, The Idiots Delight - Plaisirs Ridicules, is a brilliant concept and complemented by an... Continue Reading →
Jerry Takigawa – Balancing Cultures
Review by Wayne Swanson • Gaman: enduring the seemingly unbearable with patience, dignity, and silence. Shikata ga nai: it cannot be helped. For the Japanese Americans who were sent to internment camps during World War II, these terms defined their incarceration. For photographic artist Jerry Takigawa, whose parents and grandparents were among them, “the shadow legacy from... Continue Reading →
PhotoBook Journal – Issue #29
Welcome to our 29th Issue • We are hoping you are enjoying the end of summer holidays and vacations. We are continuing our book sale fundraiser and we really appreciate your responses with book purchases and donations. These make a difference and keep us going. Thank you! I had expected to provide a detailed shout out about my Creative Photo Book Workshop with... Continue Reading →
Gary Green – The River is Moving/The Blackbird Must be Flying
Review by Steve Harp • Gary Green’s monograph The River is Moving/The Blackbird Must be Flying (L’Artiere, 2020) is a beautiful and delicate object. Measuring 6 ½” by 9 ½”, enclosed between plain white softcovers, the book features a perfect binding with visible spine. In this exposed Smythe style of binding, the spine remains uncovered, leaving open the folded... Continue Reading →
Regina Anzenberger – Gstettn
Review by Douglas Stockdale • I am frequently asked by participants in my creative book workshops about how to resolve a complex project in which they cannot determine how to choose and focus on just one aspect. I now have a brilliant solution in the recently self-published Gstettn by Regina Anzenberger; create a multitude of books in which... Continue Reading →