Review by Wayne Swanson • Toshio Shibata likes to blur boundaries. Between the natural and the human-made. Between the representational and the abstract. Between photography and drawing. Shibata, one of Japan's preeminent landscape photographers, has focused his attention since the early 1980s on the intersection of nature and infrastructure, finding art in scenes of bridges, dams,... Continue Reading →
Anders Goldfarb – Passed Remains
Review by Gerhard Clausing • Connecting with the past is a challenge, particularly when the present is such a mess – viruses, warfare, economic worries, etc., etc. As I am writing this, a major new assault on yet another group of people is in progress: this time the victims are the Ukrainians. How many more... Continue Reading →
PhotoBook Journal – Issue #35
PBJ Issue Number 35 • February became a difficult month for those who love democracy, with an unrelenting attack of Ukraine by a madman in Russia. We are unsure of how this will end, but I am voting for the people of Ukraine to persevere. Remember, most Russian citizens do not support this war, thus as you consider what Russian goods to... Continue Reading →
Moyra Davey & Peter Hujar – The Shabbiness of Beauty
Review by Gerhard Clausing • Peter Hujar was a photographer who chronicled the cultural scene of New York City in the 1970s and 1980s. He was also known for his magical ways in photographing animals, as well as for his focus on what was then called ‘figure studies.’ He seemed unwilling or unable to play... Continue Reading →
Phillip Prodger – Face Time
Review by Melanie Chapman • As the saying goes: You can’t judge a book by its Cover. In the case of the new Thames and Hudson publication “Face Time: A History of the Photographic Portrait”, edited by Phillip Rodger, the cover itself agrees. Two youths are photographed with slight variations in perspective so that each looks... Continue Reading →
Ed Kashi – Abandoned Moments. A Love Letter to Photography
Review by Gerhard Clausing • Not too long ago, the term “abandoned moments” meant images that we would toss aside: subject not significant enough, not sharp enough, some blurring or out-of-focus areas, camera movement, and more. Well, nowadays that is the stuff that the finest photographic art is made of; they are the central techniques... Continue Reading →
Fred Mitchell – If You Go All the Plants Will Die
Review by Douglas Stockdale • I may not be a relationship expert, but I highly suspect that stating the reason for another person to stay in a relationship is that otherwise if they left all of the plants would die may not be the most enticing of rationales. The book’s title appears to be a retrospective... Continue Reading →
Philippe Ciaparra – Paysages & Transfiguration
Review by Wayne Swanson • Many people see melancholy in the dying of the light, but French photographer Philippe Ciaparra sees utopia. At twilight he finds himself “in a chiaroscuro theater, immersed in the daydreams of my inner journey.” Ciaparra is a Paris-based fashion and portrait photographer, but in his personal work he focuses on long-exposure... Continue Reading →
Helga Härenstam – Ylandet & Människan / Howling & Humans
Review by Gerhard Clausing • This photobook presents quite a challenge, and I found it also deeply touching in many ways, having spent several weeks with it ... and I am not done yet, by far. So many discoveries ... Helga Härenstam came upon a nearly 300-year-old poem, James Thomson’s The Seasons. That work, popular... Continue Reading →
Michal Solarski & Tomasz Liboska – Cut It Short
Review by Gerhard Clausing • A friendship that can be traced back to our youth and has lasted into the present is something to be treasured and celebrated, if we are lucky enough to have such close ties to another person. Solarski and Liboska can share recollections that go back 30 years, to their early... Continue Reading →