Review by Hans Hickerson ∙ No, A Visit With Magritte has not been re-released. It was last published in 2010 by Steidl and my copy is the Matrix edition from 1981. I wanted to review it because I wondered if other photobook fans are aware of it and because it was such a revelation to... Continue Reading →
Dana Stirling – Why Am I Sad
Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →
Byron Smith – Testament ’22
Review by Lee Halvorsen · On February 24, 2022, Russia began a full-scale invasion of Ukraine, its neighbor and former ally. Byron Smith was there and for the rest of that year he immersed himself and his camera into the lives and the deaths and the hopes of the Ukrainian community. His mostly black and white... Continue Reading →
Adam Thorman – Creatures Found
Review by Hans Hickerson • Photography is a surprising medium. You think that everything has been done already, that you have seen it all, and – surprise – along comes something original. Who knew? Maybe it has been done before, but Adam Thorman’s photobook Creatures Found was a new one for me. What Thorman has... Continue Reading →
Holly Roussell, Editor – Mo Yi: Selected Photographs 1988-2003
Review by Gerhard Clausing • Mo Yi is an interesting Chinese photographer of Tibetan origin. He has had only a few major exhibitions in the West; this photobook and the related exhibitions (UCCA Center for Contemporary Art and Arles Photography Festival) are a welcome change. His work encompasses several decades of experimenting with images of... Continue Reading →
Lisa McCord – Rotan Switch
Review by Lee Halvorsen • Lisa McCord’s “Rotan Switch” is a superb synthesis of content, design, and emotion…more than a story, more than photos, more than a book, it’s an experience. The design is unique and subtly compelling. At first look, the white space, the seemingly random text blocks, and the image arrangement didn’t click... Continue Reading →
Huw Lewis-Jones – Why We Photograph Animals
Review by Gerhard Clausing • The documentation of animal life all around us has long been a favorite area of photography. This very important volume illuminates animal photography of all sorts from a vast number of angles, featuring a number of photographers who concentrate on documenting animal life, as well as essays dealing with animal... Continue Reading →
Ken Graves – The Meaning of Gravity
Review by Debe Arlook • The Meaning of Gravity is the first endeavor by Luhz Press, an independent art book publisher based in Los Angeles. Helmed by Zoe Lemelson, it is also the first monograph of the late Ken Graves’ mixed-media collage. Graves (1942-2016) is a 2000 Guggenheim Fellow well known for his street photography and books from the 1960s -1970s.... Continue Reading →
Katherine Longly and Cécile Hupin – Just My Luck
Review by Douglas Stockdale • Katherine Longly and Cécile Hupin have created a conceptual photojournalistic project; a series of interviews, quotes, screen grabs and reuse of photographs, repurposed to create a narrative that asks the question: If money cannot buy happiness, what drives people to participate in a lottery? The book is design and sequenced in... Continue Reading →
Arthur Tress: Rambles, Dreams, and Shadows
Review by Gerhard Clausing • The photographic work of Arthur Tress is highly regarded, even treasured, for a number of reasons. He combines several genres in a unique and personal manner: street photography, portraiture/the depiction of relationships, and environmental observations. With a very special mysterious way of integrating moments, his images often border on or... Continue Reading →