Review by Hans Hickerson · Photography is mostly about visual editing. What does the photographer notice and photograph? What do they include in the photograph? What do they leave out? It is a mental art and it involves cultivation of the mind’s eye. Anyone can learn it. Did you notice something that no one else... Continue Reading →
Rian Dundon: Protest City
Review by Hans Hickerson · Having reviewed Rian Dundon’s recent photobook Passenger, I was curious to see his other books. I managed to get my hands on Changsha (2012, 2017) documenting his years in China, in black and white, full of movement, and trending dark and impressionistic, but this review is about another of Dundon’s... Continue Reading →
Beth Galton – COVID Diary
Review by Hans Hickerson · It is amazing how fast we have put COVID behind us. It seems like light-years ago today, but we were still emerging from it only three years ago in July of 2022, the date of the last entry in Beth Galton’s photobook COVID Diary. COVID changed everything, but you can... Continue Reading →
Gilbert McCarragher – Prospect Cottage: Derek Jarman’s House
Review by Steve Harp · I was a bit apprehensive about writing a review of Prospect Cottage: Derek Jarman’s House. While I’ve only seen one of Jarman’s films (Wittgenstein, 1993), I’ve become increasing interested in Jarman’s output as an artist. Not only a feature film director (11 released between 1976 – 1993), Jarman was also... Continue Reading →
Michael Rababy – american bachelor
Review by Hans Hickerson · One way to decide if a photobook is successful is if it gives you the experience of a different time and place, if it immerses you in its world – just like with a novel or film. Michael Rababy’s american bachelor works like that. Open it and go on a... Continue Reading →
Fred Ritchin – The Synthetic Eye: Photography Transformed in the Age of AI
Review by Gerhard Clausing • Fred Ritchin is one of the most respected critics when it comes to photography. Naturally, his views on artificial intelligence (AI) are of great interest. This latest book of his is primarily meant to stimulate discussion in this subject and to provoke creative thought and sane analyses. Of particular interest... Continue Reading →
Jeff Dworsky – Sealskin
Review by Hans Hickerson · As a rule of thumb, photobooks are interesting in inverse proportion to the amount of white space surrounding the photographs. The more white space – the more the photos adhere to a fine print aesthetic – the more the book typically functions as a themed album and the less it... Continue Reading →
Rian Dundon – Passenger
Review by Hans Hickerson · In Passenger photographer Rian Dundon offers a master class in high-impact mayhem as he assembles an edgy, take-no-prisoners, in-your-face collection of visual facts that riffs on people, places, forms, and feelings, including a generous serving of spleen. Dundon is a passenger both literally and figuratively. He takes us with him... Continue Reading →
Sean and Tennbo Lotman – Puking Rainbows Past and Future
Review by Rudy Vega · Puking Rainbows, Past and Future is a captivating collaborative project by Sean Lotman and his son Tennbo, blending the boundaries between photobook and artist book. Encased in a cardboard slipcover adorned with Sharpie doodles and Instax prints—featuring individual portraits of the duo on the front and back—each copy is a... Continue Reading →
Helen Rosemier – Zones of Possibility
Review by Gerhard Clausing • This artistic photobook gives you the impression of looking through a universal family album that encompasses more than your immediate surroundings. It gives you a look into the past that seems like an ambiguous societal cross section, a composite view with many personal nuances. Not only that, but photographs printed... Continue Reading →