The Contemporary Photobook Magazine
Review by Gerhard Clausing • Robin Mudge offers a great definition on his website: “a photobook is an exhibition in your hands.” In this photobook he has compiled an exhibition of his images that reflect everyday observations, and he has paired those photographs with ChatGPT descriptions. The ‘machine’ system can thus be considered a collaborator... Continue Reading →
Review by Henry Kallerud · In 1988, Anders Goldfarb started selecting photographs from his oeuvre that spoke to him about his own life, life in general, the surreal, and the visceral. In 1999, Goldfarb finalized the edit and sequence of what would become Ash Avenue. The project was tucked away, indefinitely, unseen for over a decade. Until,... Continue Reading →
Review by Hans Hickerson · When are photographs not really about what is depicted but about something else? It happens often in photobooks when editorial direction establishes intentionality and context that frame the viewing experience, and Hannah Modigh’s Searching for Sivagami is a great example. The book is simple and focused. The photos are of... Continue Reading →
Review by Hans Hickerson · There are many ways to make a photobook. One is to use photographs to construct meaning through carefully curated repetition and association. You introduce photographs to establish a theme or mood, you develop, and you introduce other themes and variations and build a narrative or story. Photographer Elise Corten’s Warmer... Continue Reading →
Review by Steve Harp · Oyvind Hjelmen’s 2024 monograph Being Here begins with a poem by the Norwegian Nobel laureate Jon Fosse. The poem, A Human Being is Here, begins: A human being is hereand then disappearsin a windthat vanishesinward There is a sense of disappearing, of vanishing also in Hjelman’s elegant photographs contained within... Continue Reading →
Review by Hans Hickerson · Photobooks are a great medium for telling stories, but also for re-creating emotional landscapes. Alex Blanco’s Meat, Fish, and Aubergine Caviar does both and also mixes in memories, cookbook recipes, and idealized fantasy. If this sounds like a lot it is because the book operates simultaneously on several levels, like... Continue Reading →
Text and photos by Hans Hickerson · Photobooks were visible everywhere this year in Arles at the 2025 photo festival. The official program included a book market as well as prizes for photobooks in several categories. The book market took place in two separate venues, but there were also a number of unofficial events, including... Continue Reading →
Review by Hans Hickerson · If you haven’t visited Fairfield, Illinois, you might be excused for thinking it looks like Nathan Pearce’s photographs. I hadn’t, so I googled Fairfield and traveled down Main Street via Street View. I did not spot any vegan restaurants, food carts, indie record stores, e-bike shops, or comedy clubs. But... Continue Reading →
Review by Lee Halvorsen • You’re in the eye of the storm…you’ve seen the chaos and change that just occurred and in the not-too-far distance, you see more coming. Through Gray’s images, this is the storm’s eye view of mankind’s interaction with the planet and the mostly uncertain nature of that contact. You're standing on the... Continue Reading →
Review by Hans Hickerson · Context is everything, and without it you are lost. If you look at the 48 photographs in John Volynchook’s Faultlines by themselves, you would not know what country you were in, or even what century. They depict timeless views of nature, all except two photographs where you see tractor tire... Continue Reading →
PhotoBook Journal 