The Contemporary Photobook Magazine
Review by Gerhard Clausing • The work of Anastasia Samoylova, as shown in this first photobook retrospective and also in an exhibition at the NYC Metropolitan Museum of Art (through May 11, 2025) was a delightful discovery for me. Not only does she create landscapes and other scapes that have meaning and a certain timelessness,... Continue Reading →
Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →
Review by Hans Hickerson · Ismail Ferdous’ Sea Beach echoes Martin Parr’s seaside photographs. Both photographers have an alert eye for human forms and foibles, zeroing in and isolating telling details, with Ferdous favoring more straight-on views and Parr wittier, busier compositions. But you will never imagine you are looking at a Martin Parr book... Continue Reading →
Review by Rudy Vega • Between June 1972 and July 1973, Japanese street photographer Daido Moriyama produced the first five issues of his own magazine Kiroku (Record). In 2008, Moriyama resumed publication of Record with issue 6, and in 2017, Japanese cultural specialist Mark Holborn edited the first thirty issues of the photographer’s personal publication... Continue Reading →
Review by Hans Hickerson • Some photobooks document social, political, and cultural projects photographers undertake in their desire to do something beneficial and worthwhile, and the process and structure involved in such projects can in turn organize and shape the work of the photographer. French photographer Céline Levain was involved with female prisoners in two... Continue Reading →
Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →
Review by Gerhard Clausing • Berlin is most certainly a very complex and dynamic European city. The population includes people from all kinds of countries with all kinds of backgrounds, and at the same time the city shows a great deal of tolerance regarding behavioral idiosyncrasies and various belief systems when you compare it to... Continue Reading →
Review by Gerhard Clausing • George Hoyningen-Huene was one of the foremost fashion and celebrity photographers of his time. He was also a participant in filmmaking and various other pursuits. Born in St. Petersburg in 1900, surrounded by Baltic-Russian nobility as well as having part American heritage, he was able to transition, via London and... Continue Reading →
Review by Gerhard Clausing • In these pandemic times, when some consider cruises and cruise ships risky leisure activities because of the sequestered environment participants are subject to (which, by the way, can also be an asset if viruses are absent because nothing new is introduced during the trip), it is heartening to see a... Continue Reading →
Review by Gerhard Clausing • Having recently reviewed the contemporary street photography of Allen Wheatcroft, Body Language, and also having heard about the controversy surrounding the work of Butturini, I was certainly curious to take a closer look at this photobook as well. The book is marked “Edited by Martin Parr” on the cover, and... Continue Reading →
PhotoBook Journal 