Review by Bill Edwards • Dominic Turner’s premier monograph False Friends opens the viewer to a world of subtle exploration into the dark and not quite so recognizable places. This engaging work explores the shadows and other ghostly details we form in the imagination. This collection of photographs contains both the familiar and the ethereal... Continue Reading →
Kostis Argyriadis – DD/MM/YYYY
Review by Gerhard Clausing • To interpret the trivialities of everyday life is not an easy task, but it is an interesting challenge. In contemplating such subjects, personal recollections that are stored in each person’s memory will be applied to what is seen, and some cultural understanding may also come in handy. Thus the work... Continue Reading →
SameSource – Underside
Review by Gerhard Clausing • The swimming pool of a Mid-Century Modern Southern California home in Palm Springs, designed by a renowned architect, seems like the perfect spot and a fitting context for continuing one’s artistic studies of the human figure. The surroundings lend themselves to imagining a more carefree leisure time. Thus the artist... Continue Reading →
Robert Llewellyn – Lexicon
Review by Gerhard Clausing • How do you decipher the unfamiliar and the unknown? What cues from your past can be applied to new, unfamiliar shapes and textures, seemingly incomprehensible, yet eerily demanding your attention? Do you need to design your own new personal visual system or “language” to deal with such new information that... Continue Reading →
Kathleen Y. Clark – The White House China
Review by Gerhard Clausing • Overcoming the past is a prerequisite for a better future. While we cannot change any of the things our predecessors have done, our obligation is to open ourselves to an honest assessment of the past and to bring about improvements. An honest acknowledgment of historical events and of cultural shifts... Continue Reading →
SameSource – Reinterpreted
Review by Gerhard Clausing • Depictions of nudity have a long history, going back in painting for many centuries, and in photography to its beginnings as well. The reception of such works, which often could also be considered fine art, always depended on the circumstances and perceived artistic intent. If the context was a religious... Continue Reading →