Copyright estate of Kiyoshi Suzuki courtesy Stichting Fotografie Noorderlicht, copyright 2008 In 1972 Kiyoshi Suzuki self-published his first photobook, Nagare no uta, which is known by the English translation Soul and Soul. Suzuki passed away in 2000 after self-publishing eight photobooks between 1972 and 1998. In 2008 Stichting Fotografie Noorderlicht (Groningen, The Nederlands) created a retrospective photobook of Suzuki’s photobooks, titled Kiyoshi Suzuki,... Continue Reading →

  Copyright the artist and respective estates 2010 co-published by Harry Ransom Center and University of Texas Press In 1963 the Harry Ransom Center of the University of Texas, Austin made a wonderful investment by purchasing one of three photographic collections amassed by Helmut and Alison Gernsheim. It was, and probably still is, considered one the largest and finest... Continue Reading →

Copyright Henrik Malmstrom 2010 courtesy the photographer The self-published photobook by Henrik Malmstrom, On Borrowed Time, documents the final months, days and hours of his sister’s passing has really touched me. I found it difficult to write this review, having carried this book with me to Europe and back twice, picking it up often, but then... Continue Reading →

Copyright Erik van der Weijde 2010 courtesy 4478ZINE and the artist In Germany in the 1910’s and into the early 1930’s a series of books were published by Karl Robert Langewiesche by his publishing house Verlag Langewiesche Nachfolger. In the late 1920’s Langewiesche came up with the idea of creating inexpensive books to bring culture and self-improvement to... Continue Reading →

Copyright Kerim Aytac  To See Here 2010 Straightline Press, courtesy of the artist. I have found Kerim Aytac’s recent photobook, To see Here, as ambiguous and minimal as his background story; “street photography that questions the value of the subject”. The book is an adaption of his project Nothing to See Here, which is about looking and what... Continue Reading →

Copyright Charles Grogg 2010 self-published and courtesy of the artist Charles Grogg’s first self-published first photobook After Ascension and Decent  is a series of photographs that poses questions and subsequent elicits a narrative about connections. Frequently Grogg manipulates his Black and White photographs, where as digital photographs may have manipulated and altered the content, Grogg will actually alter the surface... Continue Reading →

Copyright Mark John Ostrowski 2010 Macula de plata, courtesy of the photographer Amerikana – concerning or characteristic of America, its civilization, or its culture; broadly, this is typical of America. In a series of photographs, many of which are frequently paired, Mark John Ostrowski provides a series of photographs that places doubt on the ability of any one,... Continue Reading →