Slipcover, George Tice: Lifework Review by Douglas Stockdale • One of my first photobook acquisitions is another retrospective by George Tice – Photographs 1953-1973, which was then a twenty-year retrospective. Now that I am a bit older and perhaps wiser, I am understanding why this earlier book was published when noting that the introduction is by the... Continue Reading →
Catherine Canac-Marquis – Every time I walked into my room, I took a picture through the window
Review by Wayne Swanson • Here’s a tip for photographers who are struggling to find something worth shooting: just look out the window. Catherine Canac-Marquis takes this idea to an extreme in the appropriately titled Every time I walked into my room, I took a picture through the window. Over the course of 17 days in November... Continue Reading →
Pamela Landau Connolly – Fly in Amber
Review by Douglas Stockdale • Lady Clementina Hawarden (1822 – 1865) was a 19th century British photographer who photographed her adolescent daughters, frequently incorporating the use of mirrors and other reflecting surfaces creating multi-faceted portraits and visual narratives exploring self-reflection and introspection. Interestingly little is known of her life, who remains a mystery and what is suspected... Continue Reading →
R. A. Hansen – dreaming backwards
Review by Douglas Stockdale • R. A. Hansen’s photobook, dreaming backwards, is a nostalgic and poetic retrospective of an early body of work set in the rural landscape of middle America, the grand expanses where he was raised in Iowa. Hansen’s photographs are combined with his poems and personal reflections on these poignant early moments of his... Continue Reading →
Toshio Shibata – Boundary Hunt
Review by Wayne Swanson • Toshio Shibata likes to blur boundaries. Between the natural and the human-made. Between the representational and the abstract. Between photography and drawing. Shibata, one of Japan's preeminent landscape photographers, has focused his attention since the early 1980s on the intersection of nature and infrastructure, finding art in scenes of bridges, dams,... Continue Reading →
Friedlander First Fifty
Review by Darin Boville • Redmond O'Hanlon's basic writing strategy is to put himself in some remote and dangerous place and to write about how he overcame obstacle after obstacle to his very survival and found his way back. This is a strategy that will be familiar to many artists. Bill Bryson thinks the world of... Continue Reading →
Emanuel Cederqvist – The Ditch
Review by Douglas Stockdale • War, conflict and then its aftermath can create terrible consequences for man-kind. But what if what occurs afterward is benign and seemingly without any drama? Could this justify the conflict or afford one the opportunity to ignore or look away? This appears to be the indirect question raised by Emanuel Cederqvist’s... Continue Reading →
Brian Rose – Monument Avenue (Corrected)
Review by Melanie Chapman • Timing is everything, as is perspective. This is true in photography as well as in life. Recently, the imposingly large statue of Robert E. Lee, the Civil War general who represented the racist past of the American south, was finally dismantled in just over an hour, after having dominated a residential... Continue Reading →
Duane Michals – The Idiots Delight – Plaisirs Ridicules
Review by Douglas Stockdale • It may not come as a surprise to anyone who has followed Duane Michals extensive photographic career spanning 50+ years that he is visual storyteller with a wicked sense of humor. His latest photobook of visual puns, The Idiots Delight - Plaisirs Ridicules, is a brilliant concept and complemented by an... Continue Reading →
René Groebli – The Magic Eye
Review by Wayne Swanson • Some artists are of their time. Others, like Swiss photographer René Groebli, transcend time. From the 1940s through the new millennium, he assembled a diverse and innovative body of work, often at odds with the conventions and expectations of the moment. The Magic Eye is the first retrospective look at the... Continue Reading →