Review by Hans Hickerson · What happens when art tries to avoid becoming Art? That’s what I asked when thinking about Kevin Klipfel’s Sha La La, Man. I have my own ideas by way of an answer, but it is ultimately up to viewers to decide for themselves. The book views like a personal photo... Continue Reading →
Arturo Soto – Border Documents
Review by Brian F. O’Neill · There has been a surge of image-text photobooks in the market in recent years. In some, the texts and images operate rather independently, while perhaps still holding onto some underlying issue. In others, the text is treated as an opportunity for a more traditional analytical “lens” on the subject... Continue Reading →
Elliot Ross – Crows Ascending
Review by Paul Anderson • Remembrance, ephemerality and transitions are what come to mind when looking through this beautifully executed photography book by Elliot Ross. The enigmatic objects that are central to all these images are crows. The monochromatic images are elegant, have simple compositions, and gracefully employ motion blur that imparts a spiritual feeling... Continue Reading →
Jordan Gale – Long Distance Drunk
Review by Hans Hickerson · What is the difference between a photobook and a zine? When you consider it, there does not seem to be a clear line separating the two. For zines you think of something cheaply produced, sometimes handmade, in limited quantities, and with less focused and more informal content than books. Books... Continue Reading →
Amy Horowitz — A Walk in the Park?
Review by Lee Halvorsen • Amy Horowitz takes us for A Walk in the Park and magically transports the reader into the stories of those she’s photographing. Washington Square Park and the West Village in New York City are rich with diversity and young people discovering themselves and adulthood in today’s world. Horowitz brings us... Continue Reading →
Federico Pacini — Mostra
Review by Lee Halvorsen • Mostra is a fascinating photographic journey, a challenge to notice and appreciate the subliminal, the almost invisible object that once seen, can’t be un-seen. In his introduction Pacini tells us about the word “Mostra” or “to show” in English…to show without gesture to bring the viewer closer to the edge of... Continue Reading →
Sunniva Hestenes – A Tear for Someone Undeserving
Review by Hans Hickerson · Photobooks today explore themes that photographers of previous generations never would have imagined. You name it, and some intrepid photographer is turning it into a photobook. There are books, for example, that deal with family relationships, memories of past times, emotional landscapes, and problematic real-life situations. Sunniva Hestenes’ A Tear... Continue Reading →
Oliver Gerhartz – The Waning Season
Review by Hans Hickerson · When he made the photographs published in his book The Waning Season, Oliver Gerhartz probably did not imagine that they would become an elegy for a brief period of relative calm between the fall of a dictatorship and a brutal civil war. Gerhartz was in Khartoum, Sudan, working as an... Continue Reading →
Holger Biermann — Leaving Today. 9/11 New York
Review by Lee Halvorsen • New York City, Manhattan, September 11, 2001. In just a few hours Manhattan went from the daily norm to horrendous, tragic chaos and terror with a rising spirit of unity and support. A writing journalist at the time, Holger Biermann was in the City, walking the streets with thousands of... Continue Reading →
Johannes Groht – Insight Grindel
Review by Steve Harp · How to begin thinking about Johannes Groht’s 2025 monograph Insight Grindel? Two words which immediately come to mind are beautiful and enticing. I hope to be more substantive in my following comments, but there is no question that this is a captivating volume. Its size (app 7” x 9 ¼”)... Continue Reading →