Martin Parr – The Non-Conformists

Review by Hans Hickerson · New photobooks of unpublished early work from well-established (read: saleable) photographers can be hit or miss, some justifying the hoopla surrounding their publication and others not. Martin Parr’s The Non-Conformists, a detailed, well-crafted exploration of an English village, is a thumbs up. Fresh out of university as a young photographer,... Continue Reading →

Nata Drachinskaya – BINOM

Review by Olga Bubich · Photobooks have long offered artists a field of expanded possibilities, allowing them to move beyond a single, linear narrative and challenge conventional expectations of what a book could look like. The history of the medium, with examples ranging from the canonical works such as Robert Frank’s The Americans (1958) and... Continue Reading →

Marcy Tilton — Bonjour Paris

Review by Lee Halvorsen •  As I paged through this book it was as if I’d wrapped myself in a flannel blanket of memories…soft colors, warm textures, familiarity, and comfort. Well, not my memories, but the memories of Tilton whose work often takes her to Paris. Over several trips she’s captured the emotions and feel... Continue Reading →

Daniel Lee Postaer – Mother’s Land

Review by Hans Hickerson · In much the same way that the Internet has democratized speech but also cheapened it, the ability to produce photobooks easily today is a blessing and a curse. It is a blessing because photographers can package and share their work with fewer barriers. It is a curse because everyone is... Continue Reading →

Joe Doherty – The Johnny Chronicles

Review by Hans Hickerson · The Johnny Chronicles, An Anthology of Love and Absurdity, is a good reminder that one way to evaluate art is to look at how it communicates or offers consequential human experience. The Johnny Chronicles definitely does this. The book fits into the narrative / documentary photobook tradition and you can... Continue Reading →

Scott Offen – Grace

Review by Steve Harp · Scott Offen’s 2025 monograph Grace is a lovely book.  As an object, its beauty confronts the viewer from the first look – the “porthole” opening cut into the cover gives a view of a tipped-in, beautifully subtle gray-scale image beckoning mysteriously to the viewer.  The image, of a large, leafy... Continue Reading →

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