The Contemporary Photobook Magazine
Review by Hans Hickerson · Lynn Alleva Lilley’s photobook The Nest rewards careful as well as casual looking. A finely observed and lovingly chronicled portrait of the woods near her home in Silver Spring, Maryland, in 98 photographs it builds up overlapping layers of detail, form, relationship, and metaphorical resonance. Like the photographs of other artists who... Continue Reading →
Review by Gerhard Clausing • Seldom do we see a photobook in which the implementation is exquisitely and totally in unison with the concept. Deb Achak’s debut project presents a rare sequence in which this has been achieved. Deb Achak was given final advice by her mother to always trust her instinct, and this book... Continue Reading →
Review by Gerhard Clausing • Nature demands our attention as well as our contemplation. Even more important, it requires us to be ever mindful as custodians of what has been around for millions of years. As Lynne Buchanan states in her afterword in this book, nature can help us deal with “the darkness of the... Continue Reading →
Review by Paul Anderson • Would you like to take a photographic tour of the martian landscape? A tour taken via fine-art photographs that were once scientific images? Nicolai Howalt has curated such a tour using a set of robotic rover images taken from four National Aeronautics and Space Administration (NASA) missions to Mars. The... Continue Reading →
Slipcover, George Tice: Lifework Review by Douglas Stockdale • One of my first photobook acquisitions is another retrospective by George Tice – Photographs 1953-1973, which was then a twenty-year retrospective. Now that I am a bit older and perhaps wiser, I am understanding why this earlier book was published when noting that the introduction is by the... Continue Reading →
Review by Steve Harp • Gary Green’s monograph The River is Moving/The Blackbird Must be Flying (L’Artiere, 2020) is a beautiful and delicate object. Measuring 6 ½” by 9 ½”, enclosed between plain white softcovers, the book features a perfect binding with visible spine. In this exposed Smythe style of binding, the spine remains uncovered, leaving open the folded... Continue Reading →
Review by Douglas Stockdale • I am frequently asked by participants in my creative book workshops about how to resolve a complex project in which they cannot determine how to choose and focus on just one aspect. I now have a brilliant solution in the recently self-published Gstettn by Regina Anzenberger; create a multitude of books in which... Continue Reading →
Review by Paul Anderson • Imagine approaching the rim of the Grand Canyon on a bright sunny day, and watching the stunning natural scenery unfold in front of you. In Thomas Kellner’s new photo book, The Big Picture, you can expect a similar experience as you unfold his massive panorama of the Grand Canyon, made up... Continue Reading →
Review by Gerhard Clausing • From time to time we wonder what life is all about. Special moments and places can intensify such musings, for instance, when we are looking at a wonder of nature, such as a giant gorge cut into a wild landscape – like a giant throat ready to consume us –... Continue Reading →
Review by Gerhard Clausing • How do you decipher the unfamiliar and the unknown? What cues from your past can be applied to new, unfamiliar shapes and textures, seemingly incomprehensible, yet eerily demanding your attention? Do you need to design your own new personal visual system or “language” to deal with such new information that... Continue Reading →
PhotoBook Journal 