Review by Gerhard Clausing • In Zero Hour, Birthe Piontek continues her exploration of identity and mortality. Known for her psychologically charged portraiture and introspective photographic storytelling (especially in Abendlied, which I reviewed previously), Piontek’s newest photobook connects the personal and the universal in a significant visual narrative. The term “Zero Hour” is historically charged—it... Continue Reading →
Hans Hickerson – Transgressions
Guest Review by Bill Edwards • Hans Hickerson’s Transgressions playfully leads the viewer through a visually engaging journey through timeless images that the artist photographed between 1979 and 1982. The photographs are delicately cut into a merged cacophony of ideas as well as moments in time. These images challenge the viewer with an editor’s touch... Continue Reading →
Anthoula Lelekidis – Fragments / θραύσματα
Review by Kristin Dittrich • While visiting the first “Photobook Fest“ on May 22, 2022, a new art fair at ICP New York dedicated to the contemporary photobook, I discovered this wonderful small photobook, like a zine, with the title Fragments. This project tells a strong and visually beautiful story about the immigration of a woman... Continue Reading →
Adel Souto – Ad Removal as Modern Art
Review by Steve Harp • My name is Ozymandias, King of Kings; Look on my Works, ye Mighty and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away. Percy Bysse Shelley, Ozymandias The first word that comes to mind to describe Adel... Continue Reading →