Daniel Chatard – Niemandsland

Review by Matt Schneider · If you have a car accident and you’re seriously injured – your left leg is broken, your right arm, nose broken, head broken, who knows what – then they put you in intensive care and everyone can see that you’re in a real mess. But if one day you break... Continue Reading →

Harry Gruyaert – Homeland

Review by Melanie Chapman · In this social media saturated era we live in, it seems impossible to escape the vertical visual plague that is filter-enhanced influencers posing and pouting for selfies. Thus, it is a genuinely wonder-filled experience to be in the presence of another fine publication of Belgian photographer Harry Gruyaert’s sublime images.... Continue Reading →

Anastasia Samoylova – Adaptation

Review by Gerhard Clausing • The work of Anastasia Samoylova, as shown in this first photobook retrospective and also in an exhibition at the NYC Metropolitan Museum of Art (through May 11, 2025) was a delightful discovery for me. Not only does she create landscapes and other scapes that have meaning and a certain timelessness,... Continue Reading →

Cornelia Suhan – Silent Witness

Review by Steve Harp · In 1975 Martha Rosler exhibited a group of 24 diptychs titled “The Bowery in Two Inadequate Descriptive Systems.”  The work juxtaposes banal images (think of Ed Ruscha’s gasoline stations) of rundown facades in New York’s Bowery district with text panels listing euphemisms for inebriated states (“blind drunk,” “dead drunk,” “embalmed,” “buried,” “gone”).  The... Continue Reading →

David Paul Bayles – Sap in Their Veins

Review by Hans Hickerson ∙ Sap in Their Veins offers portraits of loggers as well as their personal narratives. Photographer David Paul Bayles was able to document loggers as an insider, as he himself spent four seasons working in the woods with logging crews. Looking at and reading the book we develop a better understanding... Continue Reading →

Dana Stirling – Why Am I Sad

Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →

Six PhotoBook Journal Reviews Featured on Thinking About Photography

We are very pleased that six reviews dealing with photography and resistance are featured as a part of Ann Mitchell’s Winter Showcase, THINKING ABOUT PHOTOGRAPHY, just published: https://www.thinkingaboutphotography.com/photobook-resistance Mitchell writes, "the photographers in this showcase are giving voice to those who have been silenced. They celebrate lives and cultures that persist despite outside forces to... Continue Reading →

Byron Smith – Testament ’22

Review by Lee Halvorsen · On February 24, 2022, Russia began a full-scale invasion of Ukraine, its neighbor and former ally. Byron Smith was there and for the rest of that year he immersed himself and his camera into the lives and the deaths and the hopes of the Ukrainian community. His mostly black and white... Continue Reading →

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