Hannah Altman – We Will Return To You

Review by Gerhard Clausing • Folklore and rituals are vital components of our ancestral heritage. The stories that were told for many generations survive in one form or another and are enhanced as they are told and retold. I am currently investigating creation mythologies of various groups, and it is amazing how much wisdom and... Continue Reading →

Anna Arendt – Vanishing

Review by Gerhard Clausing • The press release for this photobook states, “Vanishing is an unforgettable depiction of how beauty and brutality coexist in the hearts of men and beasts.” I would go even further: Vanishing is the definitive depiction of the range from every imaginable positive daydream through the weightiest nightmares possible, from the... Continue Reading →

Helen Rosemier – Zones of Possibility

Review by Gerhard Clausing • This artistic photobook gives you the impression of looking through a universal family album that encompasses more than your immediate surroundings. It gives you a look into the past that seems like an ambiguous societal cross section, a composite view with many personal nuances. Not only that, but photographs printed... Continue Reading →

Anastasia Samoylova – Adaptation

Review by Gerhard Clausing • The work of Anastasia Samoylova, as shown in this first photobook retrospective and also in an exhibition at the NYC Metropolitan Museum of Art (through May 11, 2025) was a delightful discovery for me. Not only does she create landscapes and other scapes that have meaning and a certain timelessness,... Continue Reading →

Sergey Bykov – After Us

Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →

Dominic Turner – False Friends

Review by Bill Edwards • Dominic Turner’s premier monograph False Friends opens the viewer to a world of subtle exploration into the dark and not quite so recognizable places. This engaging work explores the shadows and other ghostly details we form in the imagination. This collection of photographs contains both the familiar and the ethereal... Continue Reading →

Mimi Svanberg – Fragments

Review by Gerhard Clausing • Abstract art can certainly fuel one’s imagination. When the main attention of a photograph is more diffuse, that is, not so concrete, we can let our thoughts wander, and we can project our own experiences, wishes, and hopes into what is shown or not shown. When individuals and places are... Continue Reading →

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