The Contemporary Photobook Magazine
Review by Gerhard Clausing • When two gifted photographers bounce ideas for personal assignments off of each other in a free-floating way, the results can sizzle. This is the situation we have in the present project. Anna Strand and Helga Härenstam gave each other nine different assignments each, to the tune of “Do something about... Continue Reading →
Review by Rudy Vega · Mark Alice Durant’s Summer of the White Fox, and After is a deeply personal and reflective memoir that interweaves themes of nature, illness, loss, and the passage of time. Written during a tumultuous period in Durant’s life, the book follows his encounters with a mysterious white fox, a severe health... Continue Reading →
Review by Matt Schneider · If you have a car accident and you’re seriously injured – your left leg is broken, your right arm, nose broken, head broken, who knows what – then they put you in intensive care and everyone can see that you’re in a real mess. But if one day you break... Continue Reading →
Review by Hans Hickerson · A zine before there were zines, Lewis Baltz’ Nevada is also a print portfolio of the book’s 15 photographs. It was published in 1978 by Baltz’ gallery, Castelli Graphics, and was presumably intended as a marketing tool for the 600 8” X 10” prints that Baltz produced for the project... Continue Reading →
Review by Melanie Chapman · In this social media saturated era we live in, it seems impossible to escape the vertical visual plague that is filter-enhanced influencers posing and pouting for selfies. Thus, it is a genuinely wonder-filled experience to be in the presence of another fine publication of Belgian photographer Harry Gruyaert’s sublime images.... Continue Reading →
Review by Gerhard Clausing • The work of Anastasia Samoylova, as shown in this first photobook retrospective and also in an exhibition at the NYC Metropolitan Museum of Art (through May 11, 2025) was a delightful discovery for me. Not only does she create landscapes and other scapes that have meaning and a certain timelessness,... Continue Reading →
Review by Hans Hickerson ∙ No, A Visit With Magritte has not been re-released. It was last published in 2010 by Steidl and my copy is the Matrix edition from 1981. I wanted to review it because I wondered if other photobook fans are aware of it and because it was such a revelation to... Continue Reading →
Review by Steve Harp · In 1975 Martha Rosler exhibited a group of 24 diptychs titled “The Bowery in Two Inadequate Descriptive Systems.” The work juxtaposes banal images (think of Ed Ruscha’s gasoline stations) of rundown facades in New York’s Bowery district with text panels listing euphemisms for inebriated states (“blind drunk,” “dead drunk,” “embalmed,” “buried,” “gone”). The... Continue Reading →
Review by Hans Hickerson ∙ Sap in Their Veins offers portraits of loggers as well as their personal narratives. Photographer David Paul Bayles was able to document loggers as an insider, as he himself spent four seasons working in the woods with logging crews. Looking at and reading the book we develop a better understanding... Continue Reading →
Review by Hans Hickerson · The photographs in Dana Stirling’s Why Am I Sad were taken in ten different states across the U.S., but they are not about the places they were taken. They are about the feelings of the photographer and her reaction to what she saw and her photographs document and catalogue moments... Continue Reading →
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