Céline Levain – Captives

Review by Hans Hickerson • Some photobooks document social, political, and cultural projects photographers undertake in their desire to do something beneficial and worthwhile, and the process and structure involved in such projects can in turn organize and shape the work of the photographer. French photographer Céline Levain was involved with female prisoners in two... Continue Reading →

Maria Elisa Ferraris – Aqua

Review by Hans Hickerson • In Maria Elisa Ferraris’ Aqua we witness the wild, terrible, awesome, raw, relentless power of water. In 34 spectacular photographs it rises, falls, lifts, pushes, pounds, churns, heaves, hammers, roils, boils, breaks, surges, slams, crashes, smashes, thunders, roars, and rages. It comes at you and doesn’t stop. The images in... Continue Reading →

Sergey Bykov – After Us

Review by Hans Hickerson • Part of the fun of reviewing photobooks is getting under the hood and taking a book apart to see what makes it work. Sergey Bykov’s photobook After Us is a good candidate for a closer look, as it resists easy analysis. Or rather there is an obvious reading but then... Continue Reading →

Paris Photo 2024

Report and Visual Essay by Hans Hickerson • Never having attended Paris Photo, I did not know what to expect.  I was unprepared for its overwhelming scale, its high-octane mix of image and ego. And the crowds: how at times you had to wait to squeeze in to look at a book, or to queue... Continue Reading →

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