The Contemporary Photobook Magazine
Hans Hickerson, current Co-Editor of the PhotoBook Journal, will take over the helm of the magazine from retiring Editor Gerhard (Gerry) Clausing, who will stay on in a less-active role. Hickerson says that he looks forward to continuing the current mission of the PhotoBook Journal as established by founder and Editor Emeritus, Douglas Stockdale. Hans... Continue Reading →
Review by Lee Halvorsen • The physical form of the book is art and brings a tactile dimension to Michele’s visual story. The cover is dark green, heavy paper die cut with five circles of different sizes. The circles in the cover create a pinhole effect on the gray print of the next page’s introduction,... Continue Reading →
Review by Hans Hickerson · Photography is mostly about visual editing. What does the photographer notice and photograph? What do they include in the photograph? What do they leave out? It is a mental art and it involves cultivation of the mind’s eye. Anyone can learn it. Did you notice something that no one else... Continue Reading →
Review by Hans Hickerson · Having reviewed Rian Dundon’s recent photobook Passenger, I was curious to see his other books. I managed to get my hands on Changsha (2012, 2017) documenting his years in China, in black and white, full of movement, and trending dark and impressionistic, but this review is about another of Dundon’s... Continue Reading →
Review by Hans Hickerson · It is amazing how fast we have put COVID behind us. It seems like light-years ago today, but we were still emerging from it only three years ago in July of 2022, the date of the last entry in Beth Galton’s photobook COVID Diary. COVID changed everything, but you can... Continue Reading →
Review by Hans Hickerson · One way to decide if a photobook is successful is if it gives you the experience of a different time and place, if it immerses you in its world – just like with a novel or film. Michael Rababy’s american bachelor works like that. Open it and go on a... Continue Reading →
Review by Lee Halvorsen · Cutino’s opening poem provides a deep philosophical foundation for experiencing her book and images. She looks at her images as artifacts of her life, describing the making, collecting, viewing. and presenting them as existential taxidermy, preserving each memory as an object, a moment preserved beyond its “expiration date.” She invites... Continue Reading →
Review by Hans Hickerson · As a rule of thumb, photobooks are interesting in inverse proportion to the amount of white space surrounding the photographs. The more white space – the more the photos adhere to a fine print aesthetic – the more the book typically functions as a themed album and the less it... Continue Reading →
Review by Gerhard Clausing • This photobook presents a narrative of the collision of several parallel realities, both current and historical. A pristine lake, the largest in a Polish province, lies in the vicinity of a major airport and an airbase, both of which also constituted a prime nuclear target in case World War III... Continue Reading →
Review by Hans Hickerson · In Passenger photographer Rian Dundon offers a master class in high-impact mayhem as he assembles an edgy, take-no-prisoners, in-your-face collection of visual facts that riffs on people, places, forms, and feelings, including a generous serving of spleen. Dundon is a passenger both literally and figuratively. He takes us with him... Continue Reading →
